<Ul> <Li> <P> Joseph Anton Koch, Waterfalls at Subiaco 1812--1813, a "classical" landscape to art historians </P> </Li> <Li> <P> James Ward, 1814--1815, Gordale Scar </P> </Li> <Li> <P> John Constable, 1821, The Hay Wain, one of Constable's large "six footers" </P> </Li> <Li> <P> J.C. Dahl, 1826, Eruption of Vesuvius, by Friedrich's closest follower </P> </Li> <Li> <P> William Blake, c. 1824--27, The Wood of the Self - Murderers: The Harpies and the Suicides, Tate </P> </Li> <Li> <P> Karl Bryullov, The Last Day of Pompeii, 1833, The State Russian Museum, St. Petersburg, Russia </P> </Li> <Li> <P> Isaac Levitan, Pacific, 1898, State Russian Museum, St. Petersburg </P> </Li> <Li> <P> J.M.W. Turner, The Burning of the Houses of Lords and Commons (1835), Philadelphia Museum of Art </P> </Li> <Li> <P> Hans Gude, Winter Afternoon, 1847, National Gallery of Norway, Oslo </P> </Li> <Li> <P> Ivan Aivazovsky, 1850, The Ninth Wave, Russian Museum, St. Petersburg </P> </Li> <Li> <P> John Martin, 1852, The Destruction of Sodom and Gomorrah, Laing Art Gallery </P> </Li> <Li> <P> Frederic Edwin Church, 1860, Twilight in the Wilderness, Cleveland Museum of Art </P> </Li> <Li> <P> Albert Bierstadt, 1863, The Rocky Mountains, Lander's Peak </P> </Li> </Ul> <Li> <P> Joseph Anton Koch, Waterfalls at Subiaco 1812--1813, a "classical" landscape to art historians </P> </Li> <P> Joseph Anton Koch, Waterfalls at Subiaco 1812--1813, a "classical" landscape to art historians </P> <Li> <P> James Ward, 1814--1815, Gordale Scar </P> </Li>

In contrast to the romantic movement the victorian era may be characterized by a focus on