<P> This restored version was reconstructed from the best available elements of the 24 frame / s edition WB could find, and was subsequently shown on Turner Classic Movies . The original elements from the 30 frame / s / 70 mm Todd - AO version (as well as the original prints derived from these elements) still exist, albeit in faded condition due to the passage of time, but remain to be formally restored by WB . There is some missing footage in the India train ride where the image artificially fades in and out to compensate for the missing shots . </P> <P> Warner's retained Andy Pratt Film Labs who in conjunction with Eastman Kodak developed a method to remove the cracked and fading to brown, clear lacquer from the original 65 mm Technicolor negative . Warners did nothing further to restore the negative . Due to costs of making a 70 mm release print even without magnetic striping, using DTS disk for audio, there are no immediate plans for any new prints . The 65 mm roadshow print negative was used for the DVD release . Had any 35 mm Anamorphic elements been used the aspect ratio would have been 2.35: 1 . Mike Todd had limited 35 mm anamorphic prints made with a non-standard compression ratio to provide a 2.21: 1 viewing experience . These special 35 mm prints are called Cinestage, the same name of Mike Todd's showcase theatre in Chicago . </P> <P> Best available prints of the 30 frame / s / 70 mm version have recently been exhibited in revival movie houses worldwide . As of the present time, WB remains the film's rights holder . </P> <P> The DVDs for Around the World in 80 Days include four hours of supplemental material, in addition to the restored three - hour wide - screen presentation . Included on one of the disks is a documentary film, about 50 minutes long, about Michael Todd . </P>

La vuelta al mundo en 80 dias movie