<P> The 1924 orchestration was developed for solo piano and Whiteman's band, which consists of three woodwind players doubling one oboe, one clarinet, one sopranino saxophone in E ♭, two soprano saxophones in B ♭, two alto saxophones in E ♭, one tenor saxophone in B ♭, one baritone saxophone in E ♭; two trumpets in B ♭, two French horns in F, two trombones and one tuba (doubling on double bass); a percussion section that includes a drum set, timpani and a glockenspiel; one piano; one tenor banjo; and violins . </P> <P> Grofé's familiarity with the Whiteman band's strengths is a key factor in the scoring . This original version, with its unique instrumental requirements, had lain dormant until its revival in reconstructions beginning in the mid-1980s, owing to the popularity and serviceability of the later scorings, described below . </P> <P> An arrangement for theatre orchestra, also prepared by Grofé, was published in 1926 . It is an adaptation of the original for a more standard "pit" orchestra, which includes one flute, one oboe, two clarinets, one bassoon, three saxophones; two French horns, two trumpets and two trombones; as well as the same percussion and strings complement as the later 1942 version . </P> <P> The orchestration published in 1942 for full symphony orchestra is scored for solo piano and an orchestra consisting of two flutes, two oboes, two clarinets in B ♭ and A, one bass clarinet, two bassoons, two alto saxophones in E ♭, one tenor saxophone in B ♭; three French horns in F, three trumpets in B ♭, three trombones, one tuba; a percussion section that includes timpani, one suspended cymbal, one snare drum, one bass drum, one tam - tam, one triangle, Glockenspiel and cymbals; one banjo; and strings . </P>

Who owns the rights to rhapsody in blue