<Tr> <Td> </Td> <Td> Beethoven's Symphony No. 5 First movement: Allegro con brio Second movement: Andante con moto Third movement: Scherzo . Allegro Fourth movement: Allegro Performed by the Skidmore College Orchestra . Music courtesy of Musopen </Td> </Tr> <Tr> <Td_colspan="2"> Problems playing these files? See media help . </Td> </Tr> <P> At the beginning of the 19th century, Beethoven elevated the symphony from an everyday genre produced in large quantities to a supreme form in which composers strove to reach the highest potential of music in just a few works . Beethoven began with two works directly emulating his models Mozart and Haydn, then seven more symphonies, starting with the Third Symphony ("Eroica") that expanded the scope and ambition of the genre . His Symphony No. 5 is perhaps the most famous symphony ever written; its transition from the emotionally stormy C minor opening movement to a triumphant major - key finale provided a model adopted by later symphonists such as Brahms and Mahler . His Symphony No. 6 is a programmatic work, featuring instrumental imitations of bird calls and a storm; and, unconventionally, a fifth movement (symphonies usually had at most four movements). His Symphony No. 9 includes parts for vocal soloists and choir in the last movement, making it a choral symphony . </P> <P> Of the symphonies of Franz Schubert, two are core repertory items and are frequently performed . Of the Eighth Symphony (1822), Schubert completed only the first two movements; this highly Romantic work is usually called by its nickname "The Unfinished ." His last completed symphony, the Ninth (1826) is a massive work in the Classical idiom . </P>

The number of movements in a symphony usually is