<P> Hunt's pedestal design contains elements of classical architecture, including Doric portals, as well as some elements influenced by Aztec architecture . The large mass is fragmented with architectural detail, in order to focus attention on the statue . In form, it is a truncated pyramid, 62 feet (19 m) square at the base and 39.4 feet (12.0 m) at the top . The four sides are identical in appearance . Above the door on each side, there are ten disks upon which Bartholdi proposed to place the coats of arms of the states (between 1876 and 1889, there were 38 U.S. states), although this was not done . Above that, a balcony was placed on each side, framed by pillars . Bartholdi placed an observation platform near the top of the pedestal, above which the statue itself rises . According to author Louis Auchincloss, the pedestal "craggily evokes the power of an ancient Europe over which rises the dominating figure of the Statue of Liberty". The committee hired former army General Charles Pomeroy Stone to oversee the construction work . Construction on the 15 - foot - deep (4.6 m) foundation began in 1883, and the pedestal's cornerstone was laid in 1884 . In Hunt's original conception, the pedestal was to have been made of solid granite . Financial concerns again forced him to revise his plans; the final design called for poured concrete walls, up to 20 feet (6.1 m) thick, faced with granite blocks . This Stony Creek granite came from the Beattie Quarry in Branford, Connecticut . The concrete mass was the largest poured to that time . </P> <P> Norwegian immigrant civil engineer Joachim Goschen Giæver designed the structural framework for the Statue of Liberty . His work involved design computations, detailed fabrication and construction drawings, and oversight of construction . In completing his engineering for the statue's frame, Giæver worked from drawings and sketches produced by Gustave Eiffel . </P> <P> Fundraising for the statue had begun in 1882 . The committee organized a large number of money - raising events . As part of one such effort, an auction of art and manuscripts, poet Emma Lazarus was asked to donate an original work . She initially declined, stating she could not write a poem about a statue . At the time, she was also involved in aiding refugees to New York who had fled anti-Semitic pogroms in eastern Europe . These refugees were forced to live in conditions that the wealthy Lazarus had never experienced . She saw a way to express her empathy for these refugees in terms of the statue . The resulting sonnet, "The New Colossus", including the iconic lines "Give me your tired, your poor / Your huddled masses yearning to breathe free", is uniquely identified with the Statue of Liberty and is inscribed on a plaque in the museum in its base . </P> <P> Even with these efforts, fundraising lagged . Grover Cleveland, the governor of New York, vetoed a bill to provide $50,000 for the statue project in 1884 . An attempt the next year to have Congress provide $100,000, sufficient to complete the project, also failed . The New York committee, with only $3,000 in the bank, suspended work on the pedestal . With the project in jeopardy, groups from other American cities, including Boston and Philadelphia, offered to pay the full cost of erecting the statue in return for relocating it . </P>

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