<Table> <Tr> <Td> "It is easier when you have to create a song like "Move Your Body" in Johnny Gaddaar . There you can add a lot of nonsense in the recording studio . On the other hand, something like Taare Zameen Par requires melody to hold center stage . There is a different level of energy that you have to bring in composing for such different soundtrack as we had to be subdued yet effective in Taare Zameen Par ." </Td> </Tr> <Tr> <Td>--Shankar Mahadevan </Td> </Tr> </Table> <Tr> <Td> "It is easier when you have to create a song like "Move Your Body" in Johnny Gaddaar . There you can add a lot of nonsense in the recording studio . On the other hand, something like Taare Zameen Par requires melody to hold center stage . There is a different level of energy that you have to bring in composing for such different soundtrack as we had to be subdued yet effective in Taare Zameen Par ." </Td> </Tr> <Tr> <Td>--Shankar Mahadevan </Td> </Tr> <P> Timing and other aspects are usually planned when scoring a film, but Khan chose to take a more improvised approach . Instead of using a studio, he and the trio Shankar--Ehsaan--Loy recorded it at Khan's home in Panchgani, to clear their heads and not be in the mindset of the city . As they watched the film, Khan pointed out when he wanted music to begin and of what type . Ehsaan Noorani noted that this strategy allowed the score to have a "spontaneity to it ." </P>

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