<P> Teresa de Lauretis noted that This Bridge and All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies (1982) created a "shift in feminist consciousness" by making "available to all feminists the feelings, the analyses, and the political positions of feminists of color, and their critiques of white or mainstream feminism ." </P> <P> Cherríe Moraga, Ana Castillo, and Norma Alarcón adapted this anthology into the Spanish - language Esta puente, mi espalda: Voces de mujeres tercermundistas en los Estados Unidos . Moraga and Castillo served as editors, and Castillo and Alarcón translated the text . In 2002, AnaLouise Keating and Gloria Anzaldúa edited an anthology (this bridge we call home: radical visions for transformation) that examined the impact of This Bridge twenty years later while trying to continue the discussion started by Anzaldúa and Moraga in 1981 . </P> <Ul> <Li> All the Women Are White, All the Blacks are Men, But Some of Us Are Brave: Black Women's Studies, edited by Gloria T. Hull, Patricia Bell - Scott, and Barbara Smith (1982) </Li> <Li> Telling to Live: Latina Feminist Testimonios, by the Latina Feminist Group (1993) </Li> <Li> Companeras: Latina Lesbians (An Anthology), edited by Juanita Ramos (1994) </Li> <Li> Making Face, Making Soul / Haciendo Caras: Creative and Critical Perspectives by Women of Color, edited by Glora Anzaldua (1990) </Li> <Li> this bridge we call home: radical visions for transformation, edited by Gloria Anzaldua and AnaLouise Keating (2002) </Li> </Ul> <Li> All the Women Are White, All the Blacks are Men, But Some of Us Are Brave: Black Women's Studies, edited by Gloria T. Hull, Patricia Bell - Scott, and Barbara Smith (1982) </Li>

What were the central interventions of this bridge called my back