<P> Mother Hen and Chicks, anonymous Song artist </P> <Li> <P> The Three Friends of Winter by Zhao Mengjian, c. 1199 - 1264 </P> </Li> <P> The Three Friends of Winter by Zhao Mengjian, c. 1199 - 1264 </P> <Ul> <Li> <P> A Song teapot in the Qingbai style, from Jingdezhen . </P> </Li> <Li> <P> Longquan ware black stoneware vase with celadon glaze, Song dynasty . </P> </Li> <Li> <P> A cut and engraved sandstone and celadon jar from Yaozhou in Shaanxi, 10th--11th century . </P> </Li> <Li> <P> Stoneware with greenish glaze, Northern Song, 10th to 11th century . </P> </Li> <Li> <P> A small celadon tripod from Yaozhou in Shaanxi, dated to the late 10th century . </P> </Li> <Li> <P> A small "qinbai" porcelain jar from Jingdezhen in Jiangxi, 11th--12th century . </P> </Li> <Li> <P> Gray sandstone dish with a celadon coating, decorated with a peony motif, from Yaozhou in Shaanxi, 11th--12th century . </P> </Li> <Li> <P> A funerary porcelain figurine in the personification of the Chinese zodiac, from Jingdezhen in Jiangxi, 12th century . </P> </Li> <Li> <P> Celadon plate from Yaozhou in Shaanxi, 10th--11th century . </P> </Li> <Li> <P> A Song ceramic box with floral medallions </P> </Li> <Li> <P> A Southern Song (1127--1279) vase with applied dragons and painted floral sprays </P> </Li> <Li> <P> A Song five - tubed jar with lotus petal design, made of Longquan celadon </P> </Li> <Li> <P> A pair of stoneware tea bowls from the Song </P> </Li> </Ul>

Where was confucianism’s greatest influence on artistic style