<P> In 1988, shortly after the release of their second album It Takes a Nation of Millions to Hold Us Back, Public Enemy were preparing for the European leg of the Run's House tour with Run--D.M.C. Before embarking on the tour, film director Spike Lee approached Public Enemy with the proposition of making a song for one of his movies . Lee, who was directing Do the Right Thing, sought to use the song as a leitmotif in the film about racial tension in a Brooklyn, New York neighborhood . He said of his decision in a subsequent interview for Time, "I wanted it to be defiant, I wanted it to be angry, I wanted it to be very rhythmic . I thought right away of Public Enemy". At a meeting in Lower Manhattan, Lee told lead MC Chuck D, producer Hank Shocklee of The Bomb Squad, and executive producer Bill Stephney that he needed an anthemic song for the film . </P> <P> While flying over Italy on the tour, Chuck D was inspired to write most of the song . He recalled his idea, "I wanted to have sorta like the same theme as the original' Fight the Power' by The Isley Brothers and fill it in with some kind of modernist views of what our surroundings were at that particular time ." The group's bass player Brian Hardgroove has said of the song's message, "Law enforcement is necessary . As a species we haven't evolved past needing that . Fight the Power is not about fighting authority--it's not that at all . It's about fighting abuse of power ." </P> <P> The Bomb Squad, Public Enemy's production team, constructed the music for "Fight the Power," through the looping, layering, and transfiguring of numerous samples . The track features only two actual instrumentalists: saxophone, played by Branford Marsalis, and scratches provided by Terminator X, the group's DJ and turntabilist--Marsalis also played a saxophone solo for the extended soundtrack version of the song . </P> <P> In contrast to Marsalis' school of thought, Bomb Squad members such as Hank Shocklee wanted to eschew melodic clarity and harmonic coherence in favor of a specific mood in the composition . Shocklee explained that their musicianship was dependent on different tools, exercised in a different medium, and was inspired by different cultural priorities, different from the "virtuosity" valued in jazz and classical music . Marsalis later remarked on the group's unconventional musicality: </P>

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