<Tr> <Td> * </Td> <Td> Certificate of Merit for the Third Best Feature Film </Td> </Tr> <Tr> <Td> * </Td> <Td> Certificate of Merit for the Best Feature Film </Td> </Tr> <Table> <Tr> <Th_colspan="6"> List of award films, showing the year (award ceremony), producer (s), director (s) and citation </Th> </Tr> <Tr> <Th> Year </Th> <Th> Film (s) </Th> <Th> Producer (s) </Th> <Th> Director (s) </Th> <Th> Citation </Th> <Th> Refs . </Th> </Tr> <Tr> <Td> 1954 (2nd) </Td> <Th> Peddamanushulu </Th> <Td> Vauhini Productions </Td> <Td> Kadri Venkata Reddy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Thodu Dongalu </Th> <Td> National Art Theater, Madras </Td> <Td> Dasari Yoganand </Td> <Td>--</Td> </Tr> <Tr> <Th> Vipra Narayana </Th> <Td> Bharani Pictures </Td> <Td> P.S. Ramakrishna Rao </Td> <Td>--</Td> </Tr> <Tr> <Td> 1955 (3rd) </Td> <Th> Bangaru Papa </Th> <Td> Vauhini Productions </Td> <Td> B.N. Reddy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Ardhangi </Th> <Td> Ragini Films </Td> <Td> P. Pullaiah </Td> <Td>--</Td> </Tr> <Tr> <Td> 1956 (4th) </Td> <Th> Tenali Ramakrishna </Th> <Td> Vikram Productions </Td> <Td> B.S. Ranga </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Edi Nijam </Th> <Td> Pratibha Productions </Td> <Td> Sundaram Balachander </Td> <Td>--</Td> </Tr> <Tr> <Td> 1957 (5th) </Td> <Th> Bhagya Rekha </Th> <Td> Ponnaluri Brothers </Td> <Td> B.N. Reddy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Thodi Kodallu </Th> <Td> Annapurna Pictures </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> </Tr> <Tr> <Td> 1958 (6th) </Td> <Th> Pelli Naati Pramanalu </Th> <Td> Jayanthi Pictures </Td> <Td> Kadri Venkata Reddy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Mangalya Balam </Th> <Td> Annapurna Pictures </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> </Tr> <Tr> <Td> 1959 (7th) </Td> <Th> Nammina Bantu </Th> <Td> Sambhu Films </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Maa Inti Mahalakshmi </Th> <Td> Navashakthi Films </Td> <Td> Gutha Ramineedu </Td> <Td>--</Td> </Tr> <Tr> <Th> Jayabheri </Th> <Td> Vasireddy Narayana Rao </Td> <Td> P. Pullaiah </Td> <Td>--</Td> </Tr> <Tr> <Td> 1960 (8th) </Td> <Th> Mahakavi Kalidasu </Th> <Td> Sarani Productions </Td> <Td> K. Kameswara Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Seetharama Kalyanam </Th> <Td> National Art Theater, Madras </Td> <Td> N. Trivikrama Rao </Td> <Td>--</Td> </Tr> <Tr> <Td> 1961 (9th) </Td> <Th> Bharya Bharthalu </Th> <Td> Prasad Art Pictures </Td> <Td> K. Pratyagatma </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1962 (10th) </Td> <Th> Mahamantri Timmarusu </Th> <Td> Gowthami Productions </Td> <Td> K. Kameswara Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Kula Gothralu </Th> <Td> A. Subba Rao </Td> <Td> Kotayya Pratyagatma </Td> <Td>--</Td> </Tr> <Tr> <Th> Siri Sampadalu </Th> <Td> V. Venkateswarlu </Td> <Td> P. Pullaiah </Td> <Td>--</Td> </Tr> <Tr> <Td> 1963 (11th) </Td> <Th> Lava Kusa </Th> <Td> Lalita Sivajyoti Films </Td> <Td> C. Pullaiah C.S. Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Amar Silpi Jakkanna </Th> <Td> B.S. Ranga </Td> <Td> B.S. Ranga </Td> <Td>--</Td> </Tr> <Tr> <Th> Mooga Manasulu </Th> <Td> C. Sundaram </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> </Tr> <Tr> <Td> 1964 (12th) </Td> <Th> Doctor Chakravarthy </Th> <Td> D. Madhusudhana Rao </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Ramadasu </Th> <Td> Chittor V. Nagaiah </Td> <Td> Chittor V. Nagaiah </Td> <Td>--</Td> </Tr> <Tr> <Td> 1965 (13th) </Td> <Th> Antastulu </Th> <Td> V.B. Rajendra Prasad </Td> <Td> V. Madhusudhan Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Th> Palnati Yudham </Th> <Td> Y . Lakshmaya Choudaray </Td> <Td> Gutha Ramineedu </Td> <Td>--</Td> </Tr> <Tr> <Th> Manushulu Mamathalu </Th> <Td> A. Subba Rao </Td> <Td> K. Atma </Td> <Td>--</Td> </Tr> <Tr> <Td> 1966 (14th) </Td> <Th> Rangula Ratnam </Th> <Td> B.N. Reddy </Td> <Td> B.N. Reddy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1967 (15th) </Td> <Th> Sudigundalu </Th> <Td> Chakravarthi Chitra </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1968 (16th) </Td> <Th> Varakatnam </Th> <Td> N. Trivikrama Rao </Td> <Td> N.T. Rama Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1969 (17th) </Td> <Th> Aadarsa Kutumbam </Th> <Td> N. Trivikrama Rao </Td> <Td> Adurthi Subba Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1970 (18th) </Td> <Th> Desamante Manushuloyi </Th> <Td> K.M.K. Naidu G.K. Naidu </Td> <Td> C.S. Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1971 (19th) </Td> <Th> Mattilo Manikyam </Th> <Td> Chalam </Td> <Td> B.V. Prasad </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1972 (20th) </Td> <Th> Pandanti Kapuram </Th> <Td> G. Hanumantha Rao </Td> <Td> Lakshmi Deepak </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1973 (21st) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> (22nd) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> (23rd) </Td> <Th> Mutyala Muggu </Th> <Td> M.V.L. Narasimha Rao </Td> <Td> Bapu </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1976 (24th) </Td> <Th> Oorummadi Brathukulu </Th> <Td> B.S. Narayana </Td> <Td> B.S. Narayana </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1977 (25th) </Td> <Th> Oka Oori Katha </Th> <Td> A. Parandhama Reddy </Td> <Td> Mrinal Sen </Td> <Td> For successfully transforming Premchand's story "Kafan" into a scathing commentary on rural destitution and social injustice; for projecting through powerful performances of its leading characters, the degradation and brutalisation of human beings, for its sincere commitment to the cause of the downtrodden; for its fervent impassioned appeal to the conscience of humanity . </Td> <Td> </Td> </Tr> <Tr> <Td> 1978 (26th) </Td> <Th> Nimajjanam </Th> <Td> Red Rose Art Films </Td> <Td> B.S. Narayana </Td> <Td> For a simple and restrained depiction of a dramatic theme, involving a woman's violation resulting in suicide . </Td> <Td> </Td> </Tr> <Tr> <Td> 1979 (27th) </Td> <Th> Nagna Sathyam </Th> <Td> U. Visweswar Rao </Td> <Td> U. Visweswar Rao </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1980 (28th) </Td> <Th> Harischandrudu </Th> <Td> U.D. Murali Krishna </Td> <Td> U. Visweswar Rao </Td> <Td> For an exposure of the manoeuvrings and misdeeds of politicians and for contributing significantly to the development of political cinema in India . </Td> <Td> </Td> </Tr> <Tr> <Td> 1981 (29th) </Td> <Th> Seethakoka Chiluka </Th> <Td> Edida Nageshwara Rao </Td> <Td> P. Bharathiraja </Td> <Td> For skilfully handling the theme of inter-communal marriage and making an impassioned stand against bigotry . </Td> <Td> </Td> </Tr> <Tr> <Td> 1982 (30th) </Td> <Th> Meghasandesam </Th> <Td> Dasari Narayana Rao </Td> <Td> Dasari Narayana Rao </Td> <Td> For its lyrical and aesthetic qualities . </Td> <Td> </Td> </Tr> <Tr> <Td> (31st) </Td> <Th> Rangula Kala </Th> <Td> K. Venkateswara Rao </Td> <Td> B. Narsing Rao </Td> <Td> For a vivid portrayal of urban life as seen by a sensitive painter in search of his identification with the masses . </Td> <Td> </Td> </Tr> <Tr> <Td> 1984 (32nd) </Td> <Th> Sitaara </Th> <Td> Edida Nageswara Rao </Td> <Td> Vamsy </Td> <Td>--</Td> <Td> </Td> </Tr> <Tr> <Td> 1985 (33rd) </Td> <Th> Sravanthi </Th> <Td> Jayakrishna </Td> <Td> Kranthi Kumar </Td> <Td> For a moving film, which depicts the plight of the quitessential Indian woman who goes through life discharging obligations as daughter, wife and mother . </Td> <Td> </Td> </Tr> <Tr> <Td> 1986 (34th) </Td> <Th> Swathi Muthyam </Th> <Td> Edida Nageswara Rao </Td> <Td> K. Viswanath </Td> <Td> For an effective rendering of a dramatic story about a man too innocent and child - like to fit into the scheme of the hard, calculating world . </Td> <Td> </Td> </Tr> <Tr> <Td> (35th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 1988 (36th) </Td> <Th> Daasi </Th> <Td> B. Ramachandra Rao </Td> <Td> B. Narsing Rao </Td> <Td> For portraying the grim reality of a feaudal milieu through original and rare use of film language . </Td> <Td> </Td> </Tr> <Tr> <Td> 1989 (37th) </Td> <Th> Suthradharulu </Th> <Td> Sudhakar Reddy C. Karunakar Rao </Td> <Td> K. Viswanath </Td> <Td> For the way it charts the conquest of social oppression by spiritual understanding and peace . </Td> <Td> </Td> </Tr> <Tr> <Td> 1990 (38th) </Td> <Th> Matti Manushulu </Th> <Td> K. Mukherjee and Veda Kumar </Td> <Td> B. Narsing Rao </Td> <Td> For portraying the stark reality of pain which has been underlined with the warm hues of life . </Td> <Td> </Td> </Tr> <Tr> <Td> 1991 (39th) </Td> <Th> Bhadram Koduko </Th> <Td> V. Ramachandra Rao </Td> <Td> Akkineni Kutumba Rao </Td> <Td> For effectively focussing attention on the need for providing protection to homeless children . </Td> <Td> </Td> </Tr> <Tr> <Td> 1992 (40th) </Td> <Th> Ankuram </Th> <Td> K.V. Suresh Kumar </Td> <Td> C. Umamaheswara Rao </Td> <Td> For the struggle of a simple housewife who fights an oppressive system single - handed and succeeds in making a dent . </Td> <Td> </Td> </Tr> <Tr> <Td> 1993 (41st) </Td> <Th> Mister Pellam </Th> <Td> Gavara Partha Sarathi </Td> <Td> Bapu </Td> <Td> For its satirical exploration of the myth of the male ego, being superior to that of female . </Td> <Td> </Td> </Tr> <Tr> <Td> 1994 (42nd) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 1995 (43rd) </Td> <Th> Stri </Th> <Td> NFDC Doordarshan </Td> <Td> K.S. Sethumadhavan </Td> <Td> The film is a startling revelation of the mind of a simple village woman, who asserts her right over her man and stands by him under all circumstances . </Td> <Td> </Td> </Tr> <Tr> <Td> (44th) </Td> <Th> Ninne Pelladata </Th> <Td> Akkineni Nagarjuna </Td> <Td> Krishna Vamsi </Td> <Td> For the innovative way in which a family drama with the contemporary theme is handled . </Td> <Td> </Td> </Tr> <Tr> <Td> 1997 (45th) </Td> <Th> Sindhooram </Th> <Td> Krishna Vamsi </Td> <Td> Krishna Vamsi </Td> <Td> For the film's sincere effort at analysing, the problem of corruption which leads to disillusionment among the young and perpetuates violence within a society . </Td> <Td> </Td> </Tr> <Tr> <Td> 1998 (46th) </Td> <Th> Tholi Prema </Th> <Td> G.V.G. Raju </Td> <Td> A. Karunakaran </Td> <Td> For an unusual love story about two friends who confess their feelings for each other at the end of the film, which is a break from the run - of - the - mill film . </Td> <Td> </Td> </Tr> <Tr> <Td> 1999 (47th) </Td> <Th> Kalisundam Raa </Th> <Td> Daggubati Suresh Babu </Td> <Td> Udayasankar </Td> <Td> For a conventionally structured film in the genre of mainstream cinema which conveys in an entertaining and wholesome manner a social message of togetherness and the need for preserving the unit of the joint family . </Td> <Td> </Td> </Tr> <Tr> <Td> 2000 (48th) </Td> <Th> Nuvve Kavali </Th> <Td> Ramoji Rao </Td> <Td> K. Vijaya Bhaskar </Td> <Td> For a refreshing film about a teenage friendship that blossoms into romance . The film stands out for its youthful treatment thus bringing out the exuberance of this film . </Td> <Td> </Td> </Tr> <Tr> <Td> 2001 (49th) </Td> <Th> Show </Th> <Td> Manjula Ghattamaneni </Td> <Td> G. Neelakanta Reddy </Td> <Td> For depicting the development of human relations between two strangers with spontaneous humour and rare insight into life . </Td> <Td> </Td> </Tr> <Tr> <Td> 2002 (50th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 2003 (51st) </Td> <Th> Aithe </Th> <Td> Gangaraju Gunnam </Td> <Td> Chandra Sekhar Yeleti </Td> <Td> For its portrayal of frustration in the youth, successfully solving it through a positive approach almost making the characters role models . </Td> <Td> </Td> </Tr> <Tr> <Td> (52nd) </Td> <Th> Swarabhishekam </Th> <Td> H. Gopalakrishna Murthy </Td> <Td> K. Viswanath </Td> <Td> For its excellent musical structure clubbed with great classical musical performance . </Td> <Td> </Td> </Tr> <Tr> <Td> 2005 (53rd) </Td> <Th> Bommalata </Th> <Td> R.K. Film Associates Spirit Media (P) Ltd . Gangaraju Gunnam </Td> <Td> Prakash Kovelamudi </Td> <Td> For cinematically vibrant rendition of the story of an underprivileged through the medium of puppetry and magic . </Td> <Td> </Td> </Tr> <Tr> <Td> 2006 (54th) </Td> <Th> Kamli </Th> <Td> B.C. Hari Charana Prasad P.V. Sukanya </Td> <Td> K.N.T. Sastry </Td> <Td> For a convincing portrayal of the courage of a disadvantaged woman in her fight against female foeticide and child swapping . </Td> <Td> </Td> </Tr> <Tr> <Td> 2007 (55th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 2008 (56th) </Td> <Th> 1940 Lo Oka Gramam </Th> <Td> N.C. Narasimham </Td> <Td> Narasimha Nandi </Td> <Td> For its courageous handling of caste - based prejudices . </Td> <Td> </Td> </Tr> <Tr> <Td> 2009 (57th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> (58th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 2011 (59th) </Td> <Td_colspan="4"> No Award </Td> <Td> </Td> </Tr> <Tr> <Td> 2012 (60th) </Td> <Th> Eega </Th> <Td> Sai Korrapati </Td> <Td> S.S. Rajamouli </Td> <Td> In this one - of - its - kind and extraordinary fusion of technology and cinematic narrative the filmmaker has broken new grounds in concept and execution . </Td> <Td> </Td> </Tr> <Tr> <Td> 2013 (61st) </Td> <Th> Naa Bangaaru Talli </Th> <Td> Sun Touch Productions </Td> <Td> Rajesh Touchriver </Td> <Td> The film is a searing indictment of the pervasive and ruthless world of the sex trade . </Td> <Td> </Td> </Tr> <Tr> <Td> 2014 (62nd) </Td> <Th> Chandamama Kathalu </Th> <Td> Working Dream Production </Td> <Td> Praveen Sattaru </Td> <Td> For its skilful interweaving of stories featuring a variety of characters bound together by a common anxiety about securing their future . </Td> <Td> </Td> </Tr> <Tr> <Td> 2015 (63rd) </Td> <Th> Kanche </Th> <Td> Y . Rajeev Reddy </Td> <Td> Krish </Td> <Td> Barriers of caste and conventions breaks down as this romantic period drama unveils its magic . </Td> <Td> </Td> </Tr> <Tr> <Td> 2016 (64th) </Td> <Th> Pelli Choopulu </Th> <Td> Dharamapatha Creations </Td> <Td> Tharun Bhascker </Td> <Td> Desires and aspirations of the younger generation on a lighter note . </Td> <Td> </Td> </Tr> <Tr> <Td> 2017 (65th) </Td> <Th> The Ghazi Attack </Th> <Td> Prasad V. Potluri </Td> <Td> Sankalp Reddy </Td> <Td>' </Td> <Td> </Td> </Tr> </Table> <Tr> <Th_colspan="6"> List of award films, showing the year (award ceremony), producer (s), director (s) and citation </Th> </Tr>

National film award for best feature film in telugu winners
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