<P> The "normal" orchestra ensemble--a body of strings supplemented by winds--and movements of particular rhythmic character were established by the late 1750s in Vienna . However, the length and weight of pieces was still set with some Baroque characteristics: individual movements still focused on one "affect" (musical mood) or had only one sharply contrasting middle section, and their length was not significantly greater than Baroque movements . There was not yet a clearly enunciated theory of how to compose in the new style . It was a moment ripe for a breakthrough . </P> <P> Many consider this breakthrough to have been made by C.P.E. Bach, Gluck, and several others . Indeed, C.P.E. Bach and Gluck are often considered founders of the Classical style . The first great master of the style was the composer Joseph Haydn . In the late 1750s he began composing symphonies, and by 1761 he had composed a triptych (Morning, Noon, and Evening) solidly in the contemporary mode . As a vice-Kapellmeister and later Kapellmeister, his output expanded: he composed over forty symphonies in the 1760s alone . And while his fame grew, as his orchestra was expanded and his compositions were copied and disseminated, his voice was only one among many . </P> <P> While some scholars suggest that Haydn was overshadowed by Mozart and Beethoven, it would be difficult to overstate Haydn's centrality to the new style, and therefore to the future of Western art music as a whole . At the time, before the pre-eminence of Mozart or Beethoven, and with Johann Sebastian Bach known primarily to connoisseurs of keyboard music, Haydn reached a place in music that set him above all other composers except perhaps the Baroque era's George Frideric Handel . Haydn took existing ideas, and radically altered how they functioned--earning him the titles "father of the symphony" and "father of the string quartet". </P> <P> One of the forces that worked as an impetus for his pressing forward was the first stirring of what would later be called Romanticism--the Sturm und Drang, or "storm and stress" phase in the arts, a short period where obvious and dramatic emotionalism was a stylistic preference . Haydn accordingly wanted more dramatic contrast and more emotionally appealing melodies, with sharpened character and individuality in his pieces . This period faded away in music and literature: however, it influenced what came afterward and would eventually be a component of aesthetic taste in later decades . </P>

Where was music performed in the classical era