<P> In 1941, Kidd became a soloist and assistant to Loring in his Dance Players . He moved on to become a soloist for Ballet Theater, later known as the American Ballet Theatre . His performances there included Fancy Free (1944) choreographed by Jerome Robbins and with music by Leonard Bernstein, in which he played one of the three sailors . While at the ABT, he created his own ballet, On Stage! (1945). Although the play and his performance were well received, and the New York Times observed that Kidd was "hailed as one of the great hopes of postwar American ballet," he left Loring's company for Broadway in 1947 and never again worked in ballet . </P> <P> Kidd's first choreography on Broadway was for E.Y. Harburg's Finian's Rainbow, a lyrical musical that explored racial prejudice . Kidd won his first Tony Award for that play . However, his next Broadway musicals were not successful . They were Hold It, a college musical, and the Kurt Weill / Alan Jay Lerner musical Love Life, directed by Elia Kazan, which both had short runs in 1948 . Next came Arms and the Girl (1950), directed by Rouben Mamoulian, with Pearl Bailey and Nanette Fabray, also a flop . </P> <P> His next play, Frank Loesser's Guys and Dolls (1950), cemented his reputation as a Broadway choreographer . It was based on Damon Runyon short stories, with book by Abe Burrows, and earned Kidd his second Tony Award . The play attracted the attention of movie producers, and he was lured to Hollywood . </P> <P> His first film was a 1952 film adaptation of Frank Loesser's 1948 Broadway musical, Where's Charley?, starring Ray Bolger repeating his Broadway performance in the lead role . His first big film success came the following year, with The Band Wagon, starring Fred Astaire and Cyd Charisse . </P>

Who did the choreography for guys and dolls
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