<Li> The paraphrase mass </Li> <Li> The imitation mass (parody mass) </Li> <P> Masses were normally titled by the source from which they borrowed . Cantus firmus mass uses the same monophonic melody, usually drawn from chant and usually in the tenor and most often in longer note values than the other voices (Burkholder n.d.). Other sacred genres were the madrigale spirituale and the laude . </P> <P> During the period, secular (non-religious) music had an increasing distribution, with a wide variety of forms, but one must be cautious about assuming an explosion in variety: since printing made music more widely available, much more has survived from this era than from the preceding Medieval era, and probably a rich store of popular music of the late Middle Ages is irretrievably lost . Secular music was music that was independent of churches . The main types were the German Lied, Italian frottola, the French chanson, the Italian madrigal, and the Spanish villancico (Fuller 2010). Other secular vocal genres included the caccia, rondeau, virelai, bergerette, ballade, musique mesurée, canzonetta, villanella, villotta, and the lute song . Mixed forms such as the motet - chanson and the secular motet also appeared . </P>

The two main forms of sacred renaissance music are the mass and th
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