<P> Höch also made strong statements on racial discrimination . Her most famous piece is Schnitt mit dem Küchenmesser DADA durch die letzte Weimarer Bierbauchkulturepoche Deutschlands ("Cut with the Kitchen Knife Dada through the Last Weimar Beer - Belly Cultural Epoch in Germany"), a critique of Weimar Germany in 1919 . This piece combines images from newspapers of the time mixed and re-created to make a new statement about life and art in the Dada movement . </P> <P> From an Ethnographic Museum (1929), one of Höch's most ambitious and highly political projects, is composed of twenty photomontages that depict images of European female bodies with images of African male bodies and masks from museum catalogues, creating collages that offer "the visual culture of two vastly separate civilizations as interchangeable--the modish European flapper loses none of her stylishness in immediate proximity to African tribal objects; likewise, the non-Western artifact is able to signify in some fundamental sense as ritual object despite its conflation with patently European features ." Hoch created Dada Puppens (Dada Dolls) 1916 . These dolls were influenced by Hugo Ball, the Zurich - based founder of Dada . The doll's costumes resembled the geometric forms of Ball's own costumes worn in seminal Dada performances . </P> <P> Dada as a movement was inherently political in nature . Dada artists often used political satires to address the issues of the time . They attempted to push art to the limits of humanity and to convey the chaos in post-war (World War I, which did not yet have this title) Germany . "Many of Höch's overtly political photomontages caricatured the pretended socialism of the new republic and linked female liberation with leftist political revolution" (Lavin). Perhaps Höch's most well known piece Cut with the Kitchen Knife Dada through the Beer - Belly of the Weimar Republic symbolizes her cutting through the patriarchal society . The piece is a direct criticism of the failed attempt at democracy imposed by the Weimar Republic . Cut with the Kitchen Knife is "an explosive agglomeration of cut - up images, bang in the middle of the most well - known photograph of the seminal First International Dada Fair in 1920" (Hudson). This photomontage is an excellent example of a piece that combines these three central themes in Höch's works: androgyny, the "New Woman" and political discourse . It combines images of political leaders with sports stars, mechanized images of the city, and Dada artists . </P> <P> "The New Woman of Weimar Germany was a sign of modernity and liberation" (Lavin). </P>

Cut with a kitchen knife dada through the last weimar beer belly cultural epoch of germany (1919)
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