<P> (T) he role of Tony in the film reminds me of Jimmy Stewart's in Vertigo . There is a dark side to this character . I think it's very interesting that most of the audience prefers to think that this is a very innocent relationship . These are the good guys, because their spouses are the first ones to be unfaithful and they refuse to be . Nobody sees any darkness in these characters--and yet they are meeting in secret to act out fictitious scenarios of confronting their spouses and of having an affair . I think this happens because the face of Tony Leung is so sympathetic . Just imagine if it was John Malkovich playing this role . You would think,' This guy is really weird .' It's the same in Vertigo . Everybody thinks James Stewart is a nice guy, so nobody thinks that his character is actually very sick ." </P> <P> The title track "Hua Yang De Nian Hua" is a song by famous singer Zhou Xuan from the Solitary Island period . The 1946 song is a paean to a happy past and an oblique metaphor for the darkness of Japanese - occupied Shanghai . Wong also set the song to his 2000 short film, named Hua Yang De Nian Hua after the track . </P> <Ul> <Li> Shigeru Umebayashi: "Yumeji's Theme" (originally from the soundtrack of Seijun Suzuki's Yumeji) </Li> <Li> Michael Galasso: "Angkor Wat Theme", "ITMFL", "Casanova / Flute" </Li> <Li> Nat King Cole: "Aquellos Ojos Verdes", "Te Quiero Dijiste", "Quizás, Quizás, Quizás" </Li> <Li> Bryan Ferry: "I'm in the Mood for Love" (the inspiration for the English title, found on, e.g., the French two - CD soundtrack, not in the film) </Li> <Li> Zhou Xuan: 《 花樣 的 年華 》 "Hua Yang De Nian Hua" (the inspiration for the original Chinese title) </Li> <Li> Rebecca Pan: "Bengawan Solo" </Li> <Li> All of the traditional pingtan, Cantonese, Beijing and Zhejiang operas are historic recordings </Li> </Ul> <Li> Shigeru Umebayashi: "Yumeji's Theme" (originally from the soundtrack of Seijun Suzuki's Yumeji) </Li>

Wong kar wai in the mood for love music
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