<P> Edward Raymond Turner's process, tested in 1902, was the first to capture full natural color on motion picture film, but it proved to be mechanically impractical . A simplified two - color version, introduced as Kinemacolor in 1908, was marginally successful for a few years, but the special projector it required and its inherent major technical defects contributed to its demise in 1914 . Technicolor, originally also a two - color process capable of only a limited range of hues, was commercialized in 1922 and soon became the most widely used of the several two - color processes available in the 1920s . </P> <P> Beginning in 1932, Technicolor introduced a new full - color process, "Process 4", now commonly called "three - strip Technicolor" because the special camera used for live - action filming yielded separate black - and - white negatives for each of the three primary colors . The final print, however, was a single full - color strip of film that did not need any special handling . This became the standard process used by the major Hollywood studios until the mid-1950s . </P> <Table> <Tr> <Th> Year </Th> <Th> Title </Th> <Th> Country </Th> <Th> Color process </Th> <Th> Length </Th> <Th> Production company </Th> </Tr> <Tr> <Td> 1903 </Td> <Td> La Vie et la passion de Jésus Christ </Td> <Td> France </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Pathé Frères </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Also known as The Passion Play and Vie et Passion du Christ . Not released as a single feature, but as 32 individual shorts in three different groupings and shot at different times . Some scenes are partially hand coloured (e.g. 52 min . copy on Youtube). The later scenes feature different actors and costumes from the earlier scenes . On DVD . </Td> </Tr> <Tr> <Td> 1912.1! 1912 </Td> <Td> With Our King and Queen Through India </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td_colspan="6"> First feature - length documentary capturing natural color rather than colorization techniques . The original footage ran for 21⁄2 hours (16,000 ft .), presented in two different programmes . The main film of the Delhi Durbar itself was shot on 12 December 1911 . The rest of the film was made in other locations in India up to 30 December 1911, of which only a ten - minute extract still exists . Released in UK on 2 February 1912 . </Td> </Tr> <Tr> <Td> 1912.2! 1912 </Td> <Td> Miracle! The Miracle </Td> <Td> United Kingdom </Td> <Td> Pathéchrome </Td> <Td> </Td> <Td> Joseph Menchen (personal project) </Td> </Tr> <Tr> <Td_colspan="6"> First stencil - colored feature - length narrative film . Filmed in Austria in October 1912; hand - colored in Paris by seventy people; UK release on 21 December 1912 . Original UK length 7,000 feet; censored versions showed at 5,000 and 5,500 feet . Designed to be accompanied by score for full symphony orchestra and chorus by Engelbert Humperdinck . A B&W print of a cut version is extant, held at the CNC Archives, France . Available on Youtube and final scene only, with extracts of the original music . </Td> </Tr> <Tr> <Td> 1914.1! 1914 </Td> <Td> World! The World, the Flesh and the Devil </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td_colspan="6"> First feature - length narrative film in natural color . Lost . </Td> </Tr> <Tr> <Td> 1914.2! 1914 </Td> <Td> Little Lord Fauntleroy </Td> <Td> United Kingdom </Td> <Td> Kinemacolor </Td> <Td> </Td> <Td> Natural Color Kinematograph Company </Td> </Tr> <Tr> <Td_colspan="6"> Status Unknown . </Td> </Tr> <Tr> <Td> 1915 </Td> <Td> Britain Prepared </Td> <Td> United Kingdom </Td> <Td> Kinemacolor inserts </Td> <Td> </Td> <Td> Jury's Imperial Pictures </Td> </Tr> <Tr> <Td_colspan="6"> First British propaganda film . Extant . </Td> </Tr> <Tr> <Td> 1916 </Td> <Td> Joan the Woman </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete with color sequences . Directed by Cecil B. DeMille . (Color was billed as the "DeMille - Wyckoff Process") </Td> </Tr> <Tr> <Td> 1917.1! 1917 </Td> <Td> Gulf! The Gulf Between </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> </Td> <Td> Technicolor Corporation </Td> </Tr> <Tr> <Td_colspan="6"> First American film shot in color . Lost film . Only a few frames from test prints, showing star Grace Darmond, have survived . </Td> </Tr> <Tr> <Td> 1917.2! 1917 </Td> <Td> Devil! The Devil - Stone </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td_colspan="6"> Directed by Cecil B. DeMille . Only two reels survive in AFI collection at Library of Congress . </Td> </Tr> <Tr> <Td> 1918.1! 1918 </Td> <Td> Cupid Angling </Td> <Td> United States </Td> <Td> Douglass Natural Color feature </Td> <Td> </Td> <Td> Douglass Natural Color Film Inc . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Only feature film made in this process . </Td> </Tr> <Tr> <Td> 1918.2! 1918 </Td> <Td> Our Navy </Td> <Td> United States </Td> <Td> Prizma feature </Td> <Td> </Td> <Td> Prizma </Td> </Tr> <Tr> <Td_colspan="6"> First feature film shot in Prizmacolor . </Td> </Tr> <Tr> <Td> 1920.1! 1920 </Td> <Td> Treasure Island </Td> <Td> United States </Td> <Td> Hand coloring (Handschiegl?) </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1920.2! 1920 </Td> <Td> Roman Candles </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Cineart </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1921.1! 1921 </Td> <Td> Bali the Unknown </Td> <Td> United States </Td> <Td> Prizma feature </Td> <Td> </Td> <Td> Prizma Inc . </Td> </Tr> <Tr> <Td_colspan="6"> Five - reel documentary opened 27 February 1921 at Capitol Theatre in NYC . On DVD . </Td> </Tr> <Tr> <Td> 1921.2! 1921 </Td> <Td> Three! The Three Musketeers </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Film survives in black - and - white only . </Td> </Tr> <Tr> <Td> 1922.1! 1922 </Td> <Td> Toll! The Toll of the Sea </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 3190 ft . </Td> <Td> Technicolor / Metro Pictures </Td> </Tr> <Tr> <Td_colspan="6"> The first natural - color feature film made in Hollywood . The final two reels are apparently lost . Available on DVD . </Td> </Tr> <Tr> <Td> 1922.2! 1922 </Td> <Td> bli! A Blind Bargain </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> 188 ft . </Td> <Td> Goldwyn Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1922.3! 1922 </Td> <Td> Glorious! The Glorious Adventure </Td> <Td> United States / United Kingdom </Td> <Td> Prizma feature </Td> <Td> </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Directed by J. Stuart Blackton . Extant at the British Film Institute . On DVD . </Td> </Tr> <Tr> <Td> 1922.4! 1922 </Td> <Td> Flames of Passion </Td> <Td> United Kingdom </Td> <Td> Prizma insert </Td> <Td> </Td> <Td> Astra Film </Td> </Tr> <Tr> <Td_colspan="6"> Directed by Graham Cutts . Lost film . </Td> </Tr> <Tr> <Td> 1922.5! 1922 </Td> <Td> Foolish Wives </Td> <Td> United States </Td> <Td> Hand coloring inserts </Td> <Td> </Td> <Td> Universal Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Hand coloring by Gustav Brock . </Td> </Tr> <Tr> <Td> 1923.1! 1923 </Td> <Td> Red Lights </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> Goldwyn Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white only . </Td> </Tr> <Tr> <Td> 1923.2! 1923 </Td> <Td> Ten! The Ten Commandments </Td> <Td> United States </Td> <Td> Technicolor inserts, Handschiegl Color inserts </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete . Is on DVD . </Td> </Tr> <Tr> <Td> 1923.3! 1923 </Td> <Td> Vanity Fair </Td> <Td> United States </Td> <Td> Prizma insert </Td> <Td> </Td> <Td> Goldwyn Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Directed by Hugo Ballin . Lost film . </Td> </Tr> <Tr> <Td> 1923.4! 1923 </Td> <Td> Virgin! The Virgin Queen </Td> <Td> United Kingdom </Td> <Td> Prizma insert </Td> <Td> </Td> <Td> J. Stuart Blackton Productions </Td> </Tr> <Tr> <Td_colspan="6"> Directed by J. Stuart Blackton . Status unknown . </Td> </Tr> <Tr> <Td> 1923.5! 1923 </Td> <Td> I Pagliacci </Td> <Td> United Kingdom </Td> <Td> Prizma insert </Td> <Td> </Td> <Td> Napoleon Films </Td> </Tr> <Tr> <Td_colspan="6"> Starring Lillian Hall - Davis . Status unknown . </Td> </Tr> <Tr> <Td> 1924.1! 1924 </Td> <Td> Uninvited! The Uninvited Guest </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> </Td> <Td> Metro Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Preservation status unknown . </Td> </Tr> <Tr> <Td> 1924.2! 1924 </Td> <Td> Cytherea </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 230 ft . </Td> <Td> Technicolor / Goldwyn Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . First Technicolor film shot under artificial light . </Td> </Tr> <Tr> <Td> 1924.3! 1924 </Td> <Td> Wanderer of the Wasteland </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 3854 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> First western in color . Lost film . </Td> </Tr> <Tr> <Td> 1924.4! 1924 </Td> <Td> Venus of the South Seas </Td> <Td> United States </Td> <Td> Prizma Insert </Td> <Td> </Td> <Td> Lee - Bradford Corp . </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Restored by the Library of Congress in 2004 . Final reel is in Prizma . </Td> </Tr> <Tr> <Td> 1924.5! 1924 </Td> <Td> Heritage of the Desert </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 34 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Starring Bebe Daniels . Unknown status . </Td> </Tr> <Tr> <Td> 1924.6! 1924 </Td> <Td> Greed </Td> <Td> United States </Td> <Td> Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Metro - Goldwyn Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Short version of film extant, coloring lost (a few specimen frames may survive). On DVD . </Td> </Tr> <Tr> <Td> 1924.7! 1924 </Td> <Td> Dancemood! The Dance of the Moods </Td> <Td> United Kingdom </Td> <Td> Friese - Greene Natural Color (formerly Biocolour) </Td> <Td> </Td> <Td> Friese - Greene Productions </Td> </Tr> <Tr> <Td_colspan="6"> Unknown if a feature or short film . </Td> </Tr> <Tr> <Td> 1924.8! 1924 </Td> <Td> Moonbeam Magic </Td> <Td> United Kingdom </Td> <Td> Friese - Greene Natural Color (formerly Biocolour) </Td> <Td> </Td> <Td> Spectrum Films </Td> </Tr> <Tr> <Td_colspan="6"> Produced by Claude Friese - Greene . Status unknown, possibly at BFI . </Td> </Tr> <Tr> <Td> 1925.01! 1925 </Td> <Td> Ben - Hur </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 1029 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . On DVD . </Td> </Tr> <Tr> <Td> 1925.01! 1925 </Td> <Td> Cyrano de Bergerac </Td> <Td> Italy / France </Td> <Td> Pathéchrome feature </Td> <Td> 9501 ft . </Td> <Td> Unione Cinematografica Italiana </Td> </Tr> <Tr> <Td_colspan="6"> Starring Pierre Magnier . Extant . </Td> </Tr> <Tr> <Td> 1925.03! 1925 </Td> <Td> Phantom! The Phantom of the Opera </Td> <Td> United States </Td> <Td> Technicolor inserts, Kelley Color / Handschiegl Color </Td> <Td> 497 ft . </Td> <Td> Universal Pictures </Td> </Tr> <Tr> <Td_colspan="6"> One color segment survives . On DVD . </Td> </Tr> <Tr> <Td> 1925.04! 1925 </Td> <Td> Merry! The Merry Widow </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 136 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Film survives, but two - minute color sequence is lost . </Td> </Tr> <Tr> <Td> 1925.05! 1925 </Td> <Td> Stage Struck </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Extant with color sequences . Restored by George Eastman House . Starring Gloria Swanson . </Td> </Tr> <Tr> <Td> 1925.06! 1925 </Td> <Td> Pretty Ladies </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 597 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1925.07! 1925 </Td> <Td> His Supreme Moment </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 517 ft . </Td> <Td> First National Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1925.08! 1925 </Td> <Td> Big! The Big Parade </Td> <Td> United States </Td> <Td> Applied color by Technicolor </Td> <Td> 154 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Feature and color exists . On DVD . </Td> </Tr> <Tr> <Td> 1925.09! 1925 </Td> <Td> So This Is Marriage? </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 729 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1925.1! 1925 </Td> <Td> Splendid! The Splendid Road </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> First National Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Status unknown . </Td> </Tr> <Tr> <Td> 1925.11! 1925 </Td> <Td> Seven Chances </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 275 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant with color . On DVD . </Td> </Tr> <Tr> <Td> 1925.12! 1925 </Td> <Td> Kingmain! The King on Main Street </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 105 ft . </Td> <Td> Famous Players - Lasky </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete . </Td> </Tr> <Tr> <Td> 1925.13! 1925 </Td> <Td> Lights of Old Broadway </Td> <Td> United States </Td> <Td> Technicolor inserts, Handschiegl Color Process inserts </Td> <Td> </Td> <Td> Cosmopolitan Productions </Td> </Tr> <Tr> <Td_colspan="6"> Extant in Library of Congress . </Td> </Tr> <Tr> <Td> 1926.01! 1926 </Td> <Td> Fig Leaves </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 969 ft . </Td> <Td> Fox Film Corporation </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1926.02! 1926 </Td> <Td> Beverly of Graustark </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 354 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1926.03! 1926 </Td> <Td> Open! The Open Road </Td> <Td> United Kingdom </Td> <Td> Friese - Greene Natural Color (formerly Biocolour) </Td> <Td> </Td> <Td> Friese - Greene Productions </Td> </Tr> <Tr> <Td_colspan="6"> Series of documentary films shot between 1924 and 1926 . A print was restored and shown on the BBC in 2006 . On DVD . </Td> </Tr> <Tr> <Td> 1926.04! 1926 </Td> <Td> Last! Gli ultimi giorni di Pompeii </Td> <Td> Italy </Td> <Td> Pathéchrome feature </Td> <Td> 12083 ft . </Td> <Td> Società Italiana Grandi Films </Td> </Tr> <Tr> <Td_colspan="6"> Extant . US Title: The Last Days of Pompeii On DVD . </Td> </Tr> <Tr> <Td> 1926.05! 1926 </Td> <Td> Irene </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 972 ft . </Td> <Td> First National Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete with color sequences . </Td> </Tr> <Tr> <Td> 1926.06! 1926 </Td> <Td> Beau Geste </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1926.07! 1926 </Td> <Td> Flaming! The Flaming Forest </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 203 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant at Library of Congress . </Td> </Tr> <Tr> <Td> 1926.08! 1926 </Td> <Td> American! The American Venus </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 1574 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Two trailers, and brief clip of color insert, survive at the Library Of Congress . </Td> </Tr> <Tr> <Td> 1926.09! 1926 </Td> <Td> Volcano </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> Paramount Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant at Library of Congress . Preserved by UCLA and Television and The Museum of Modernr Art . </Td> </Tr> <Tr> <Td> 1926.1! 1926 </Td> <Td> Mike </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant at Library Of Congress . Complete print of 70 minutes found at Library Of Congress in December 2015 . </Td> </Tr> <Tr> <Td> 1926.11! 1926 </Td> <Td> Black! The Black Pirate </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 8124 ft . </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Original Technicolor Process 2 print survives at the BFI . Commonly seen version was created from surviving negatives . Outtakes survive in black - and - white . On DVD . </Td> </Tr> <Tr> <Td> 1926.12! 1926 </Td> <Td> Fire! The Fire Brigade </Td> <Td> United States </Td> <Td> Technicolor inserts, Handschiegl Color inserts </Td> <Td> 692 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Film extant, but color may be lost . </Td> </Tr> <Tr> <Td> 1926.13! 1926 </Td> <Td> Joy! The Joy Girl </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 285 ft . </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> A copy may survive in the Museum of Modern Art film archive . </Td> </Tr> <Tr> <Td> 1926.14! 1926 </Td> <Td> Flames </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> Associated Exhibitors </Td> </Tr> <Tr> <Td_colspan="6"> One reel exists in the Library of Congress . </Td> </Tr> <Tr> <Td> 1926.15! 1926 </Td> <Td> Girl! The Girl from Montmartre </Td> <Td> United States </Td> <Td> Handschiegl Color inserts </Td> <Td> </Td> <Td> First National Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Preserved by Warner Bros. from original negative and nitrate handschiegl print . </Td> </Tr> <Tr> <Td> 1927.1! 1927 </Td> <Td> Kingking! The King of Kings </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> </Td> <Td> DeMille Productions / Pathé Exchange </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete . Is on DVD . </Td> </Tr> <Tr> <Td> 1927.2! 1927 </Td> <Td> Winners of the Wilderness </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> 16mm print extant . Starring Joan Crawford . On DVD . </Td> </Tr> <Tr> <Td> 1927.3! 1927 </Td> <Td> Annie Laurie </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 204 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant with color at the Library of Congress . </Td> </Tr> <Tr> <Td> 1927.4! 1927 </Td> <Td> Wizard! The Wizard </Td> <Td> United States </Td> <Td> Hand coloring </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1927.5! 1927 </Td> <Td> Napoléon </Td> <Td> France </Td> <Td> Keller - Dorian process sequences </Td> <Td> </Td> <Td> Abel Gance / Gaumont </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Keller - Dorian process proved to be impractical . </Td> </Tr> <Tr> <Td> 1927.6! 1927 </Td> <Td> La revue des revues </Td> <Td> France </Td> <Td> Pathéchrome inserts </Td> <Td> </Td> <Td> </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1928.1! 1928 </Td> <Td> La Femme et le pantin </Td> <Td> France </Td> <Td> Keller - Dorian process </Td> <Td> </Td> <Td> </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Directed by Jacques de Baroncelli </Td> </Tr> <Tr> <Td> 1928.2! 1928 </Td> <Td> None but the Brave </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 549 ft . </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Unknown </Td> </Tr> <Tr> <Td> 1928.3! 1928 </Td> <Td> Wedding! The Wedding March </Td> <Td> United States </Td> <Td> Technicolor insert, hand coloring . </Td> <Td> 294 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Directed by Erich von Stroheim </Td> </Tr> <Tr> <Td> 1928.4! 1928 </Td> <Td> Red Hair </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 57 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Color tests survive at UCLA Film and Television Archive . </Td> </Tr> <Tr> <Td> 1928.5! 1928 </Td> <Td> Casanova </Td> <Td> Germany </Td> <Td> Pathéchrome insert </Td> <Td> </Td> <Td> Ciné - Alliance / Pathé </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Based on operetta by Ralph Benatzky . </Td> </Tr> <Tr> <Td> 1928.6! 1928 </Td> <Td> Viking! The Viking </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 8398 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . The first Technicolor feature with sound (synchronized music score and sound effects only, no dialog or "live" sound). On DVD . </Td> </Tr> <Tr> <Td> 1928.7! 1928 </Td> <Td> Water! The Water Hole </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 332 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Status unknown . </Td> </Tr> <Tr> <Td> 1928.8! 1928 </Td> <Td> Court - Martial </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 473 ft . </Td> <Td> Columbia Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Status unknown . </Td> </Tr> <Tr> <Td> 1929.01! 1929 </Td> <Td> Redskin </Td> <Td> United States </Td> <Td> Mostly Technicolor with sepia - toned sequences </Td> <Td> 4463 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Synchronized music score and sound effects but no dialog or "live" sound . Survives complete . On DVD . </Td> </Tr> <Tr> <Td> 1929.02! 1929 </Td> <Td> On With the Show! </Td> <Td> United States </Td> <Td> Technicolor </Td> <Td> 9592 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white . 20 - second color clip exists in private collection . The first all - talking color feature . On DVD . </Td> </Tr> <Tr> <Td> 1929.03! 1929 </Td> <Td> Harmony Heaven </Td> <Td> United Kingdom </Td> <Td> Pathéchrome sequences </Td> <Td> </Td> <Td> British International Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant at British Film Institute </Td> </Tr> <Tr> <Td> 1929.04! 1929 </Td> <Td> rom! A Romance of Seville </Td> <Td> United Kingdom </Td> <Td> Pathéchrome feature </Td> <Td> </Td> <Td> British International Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Sound version released July 1930 . First British sound film released in color, using the Pathéchrome stencil - coloring process . On DVD . </Td> </Tr> <Tr> <Td> 1929.05! 1929 </Td> <Td> Devil - May - Care </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Prints survive . </Td> </Tr> <Tr> <Td> 1929.06! 1929 </Td> <Td> Show! The Show of Shows </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9987 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Only survives in black - and - white except "Chinese Fantasy" number with Myrna Loy and Nick Lucas and part or all of "Meet My Sister" number . On DVD with latter number in black - and - white (color footage only recently discovered). </Td> </Tr> <Tr> <Td> 1929.07! 1929 </Td> <Td> Pointed Heels </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 270 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Extant complete at UCLA . Broadcast master is in black - and - white . </Td> </Tr> <Tr> <Td> 1929.08! 1929 </Td> <Td> Paris </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 3645 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Picture lost . Soundtrack extant . </Td> </Tr> <Tr> <Td> 1929.09! 1929 </Td> <Td> Gold Diggers of Broadway </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9122 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Two incomplete reels and some short fragments extant . Complete disc soundtrack extant . Surviving reels on DVD . </Td> </Tr> <Tr> <Td> 1929.1! 1929 </Td> <Td> Sally </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9280 ft . </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . Two - minute color sequence also extant . On DVD . </Td> </Tr> <Tr> <Td> 1929.11! 1929 </Td> <Td> Glorifying the American Girl </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 897 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Extant complete at UCLA . On DVD . </Td> </Tr> <Tr> <Td> 1929.12! 1929 </Td> <Td> Broadway! The Broadway Melody </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 307 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white only . On DVD . </Td> </Tr> <Tr> <Td> 1929.13! 1929 </Td> <Td> Desert! The Desert Song </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 306 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white only . </Td> </Tr> <Tr> <Td> 1929.14! 1929 </Td> <Td> Sunny Side Up </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white only . </Td> </Tr> <Tr> <Td> 1929.15! 1929 </Td> <Td> Hollywood! The Hollywood Revue of 1929 </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 1360 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant </Td> </Tr> <Tr> <Td> 1929.16! 1929 </Td> <Td> Broadway </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 198 ft . </Td> <Td> Universal </Td> </Tr> <Tr> <Td_colspan="6"> Survives in a talking version and a silent version made for theaters without sound equipment . The talking version is missing the final reel, the color sequence, which does survive in the silent version . </Td> </Tr> <Tr> <Td> 1929.17! 1929 </Td> <Td> Married in Hollywood </Td> <Td> United States </Td> <Td> Multicolor insert </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Only final reel in Multicolor survives at UCLA Film and Television Archive . </Td> </Tr> <Tr> <Td> 1929.18! 1929 </Td> <Td> Red Hot Rhythm </Td> <Td> United States </Td> <Td> Multicolor insert </Td> <Td> </Td> <Td> Pathé Exchange </Td> </Tr> <Tr> <Td_colspan="6"> Only one number in color, the title song, survives . </Td> </Tr> <Tr> <Td> 1929.19! 1929 </Td> <Td> This Thing Called Love </Td> <Td> United States </Td> <Td> Multicolor insert </Td> <Td> </Td> <Td> Pathé Exchange </Td> </Tr> <Tr> <Td_colspan="6"> Lost film except for color sequence . </Td> </Tr> <Tr> <Td> 1929.2! 1929 </Td> <Td> Dancelif! The Dance of Life </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 779 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Survives in black and White . Part of the Technicolor sequence survives at the Library of Congress . </Td> </Tr> <Tr> <Td> 1929.21! 1929 </Td> <Td> Footlights and Fools </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 1183 ft . </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1929.22! 1929 </Td> <Td> His First Command </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Pathé Exchange </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white . Status of Multicolor sequences unknown . </Td> </Tr> <Tr> <Td> 1929.23! 1929 </Td> <Td> It's a Great Life </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 1391 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . On DVD from Warner Archive Collection . </Td> </Tr> <Tr> <Td> 1929.24! 1929 </Td> <Td> Mysterious! The Mysterious Island </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 8569 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant at UCLA . Complete Technicolor print was discovered in Prague, December 2013 and premiered at the 33rd Pordenone Silent Film Festival in October 2014 . On DVD . </Td> </Tr> <Tr> <Td> 1929.25! 1929 </Td> <Td> Rio Rita </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 2680 ft . </Td> <Td> RKO Radio Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Survives in a cut re-release copy with all color sequences . On DVD . </Td> </Tr> <Tr> <Td> 1929.26! 1929 </Td> <Td> wil! William Fox Movietone Follies of 1929 </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1929.27! 1929 </Td> <Td> Great! The Great Gabbo </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Sono Art - World Wide Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Survives in black - and - white except for missing color musical number "The Ga - Ga Bird". On DVD . </Td> </Tr> <Tr> <Td> 1929.28! 1929 </Td> <Td> Smiling Irish Eyes </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> </Td> <Td> First National Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Soundtrack discs survive at UCLA . </Td> </Tr> <Tr> <Td> 1930.01! 1930 </Td> <Td> Rogue! The Rogue Song </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9565 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Complete soundtrack extant on discs . Trailer and fragments preserved at UCLA . </Td> </Tr> <Tr> <Td> 1930.02! 1930 </Td> <Td> Life! The Life of the Party </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7202 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.03! 1930 </Td> <Td> Hold Everything </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7280 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Soundtrack extant . </Td> </Tr> <Tr> <Td> 1930.04! 1930 </Td> <Td> Vagabond! The Vagabond King </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9413 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Only complete copy restored by UCLA </Td> </Tr> <Tr> <Td> 1930.05! 1930 </Td> <Td> Just for a Song </Td> <Td> United Kingdom </Td> <Td> Pathécolor sequences </Td> <Td> </Td> <Td> Gainsborough Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Lost film </Td> </Tr> <Tr> <Td> 1930.06! 1930 </Td> <Td> Alf's Button </Td> <Td> United Kingdom </Td> <Td> Pathécolor sequences </Td> <Td> </Td> <Td> British Gaumont </Td> </Tr> <Tr> <Td_colspan="6"> Lost film </Td> </Tr> <Tr> <Td> 1930.07! 1930 </Td> <Td> Paramount on Parade </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> 2517 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Plotless all - star revue . Most survives, but one black - and - white and one color sequence are missing, the color finale with Maurice Chevalier survives only in black - and - white, and the sound for two of the color sequences is missing . Restored by UCLA Film and Television Archive </Td> </Tr> <Tr> <Td> 1930.08! 1930 </Td> <Td> Under a Texas Moon </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7501 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> First all - talking western shot entirely in color . Survives in a complete color copy . </Td> </Tr> <Tr> <Td> 1930.09! 1930 </Td> <Td> Whoopee! </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 8681 ft . </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Survives in at least one complete color copy . </Td> </Tr> <Tr> <Td> 1930.1! 1930 </Td> <Td> School! The School for Scandal </Td> <Td> United Kingdom </Td> <Td> Raycolor feature </Td> <Td> </Td> <Td> Albion Films </Td> </Tr> <Tr> <Td_colspan="6"> Only feature film photographed in this process . Lost film . </Td> </Tr> <Tr> <Td> 1930.11! 1930 </Td> <Td> Elstree Calling </Td> <Td> United Kingdom </Td> <Td> Pathéchrome Inserts </Td> <Td> </Td> <Td> British International Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant at the British Film Institute . Co-directed by Alfred Hitchcock . </Td> </Tr> <Tr> <Td> 1930.12! 1930 </Td> <Td> Hell's Angels </Td> <Td> United States </Td> <Td> Multicolor insert </Td> <Td> 866 ft . </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Color sequence and film survive complete . Scene filmed in Multicolor, printed by Technicolor </Td> </Tr> <Tr> <Td> 1930.13! 1930 </Td> <Td> Knowing Men </Td> <Td> United Kingdom </Td> <Td> Talkicolor feature </Td> <Td> </Td> <Td> United Artists Corporation </Td> </Tr> <Tr> <Td_colspan="6"> Second British sound feature in color . Lost film . </Td> </Tr> <Tr> <Td> 1930.14! 1930 </Td> <Td> King of Jazz </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9320 ft . </Td> <Td> Universal </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1930.15! 1930 </Td> <Td> Chasing Rainbows </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 1249 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white parts survive, color sequences are completely lost . </Td> </Tr> <Tr> <Td> 1930.16! 1930 </Td> <Td> They Learned About Women </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Survives in black and white only . </Td> </Tr> <Tr> <Td> 1930.17! 1930 </Td> <Td> Good News </Td> <Td> United States </Td> <Td> Multicolor insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Color was used for the finale, which is now completely lost . The rest survives . </Td> </Tr> <Tr> <Td> 1930.18! 1930 </Td> <Td> Show Girl in Hollywood </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 832 ft . </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.19! 1930 </Td> <Td> Kismet </Td> <Td> United States </Td> <Td> N / A </Td> <Td> </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1930.2! 1930 </Td> <Td> Bride of the Regiment </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7418 ft . </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Picture lost . Soundtrack extant . </Td> </Tr> <Tr> <Td> 1930.21! 1930 </Td> <Td> Puttin' on the Ritz </Td> <Td> United States </Td> <Td> Technicolor Insert </Td> <Td> 953 ft . </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.22! 1930 </Td> <Td> Mammy </Td> <Td> United States </Td> <Td> Technicolor Inserts </Td> <Td> 1497 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant . The first Al Jolson film with color . </Td> </Tr> <Tr> <Td> 1930.23! 1930 </Td> <Td> Call of the Flesh </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 721 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.24! 1930 </Td> <Td> Bright Lights </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6416 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.25! 1930 </Td> <Td> Children of Pleasure </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> ~ 700 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Survives complete in black - and - white . Color sequences extant in sections . </Td> </Tr> <Tr> <Td> 1930.26! 1930 </Td> <Td> General Crack </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 532 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Survives in a silent copy with no color sequences made for theaters without sound equipment . </Td> </Tr> <Tr> <Td> 1930.27! 1930 </Td> <Td> Melody Man </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 826 ft . </Td> <Td> Columbia Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.28! 1930 </Td> <Td> Follow Thru </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 8383 ft . </Td> <Td> Paramount </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1930.29! 1930 </Td> <Td> March! The March of Time </Td> <Td> United States </Td> <Td> Technicolor inserts </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Production never completed . Several musical sequences extant . </Td> </Tr> <Tr> <Td> 1930.3! 1930 </Td> <Td> New Movietone Follies of 1930 </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Only copy at UCLA . </Td> </Tr> <Tr> <Td> 1930.31! 1930 </Td> <Td> Florodora! The Florodora Girl </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 608 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1930.32! 1930 </Td> <Td> Mamba </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6998 ft . </Td> <Td> Tiffany Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant complete . First all - color all - talking feature which was not a musical . On DVD . </Td> </Tr> <Tr> <Td> 1930.33! 1930 </Td> <Td> Sweet Kitty Bellairs </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 5846 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . On DVD . </Td> </Tr> <Tr> <Td> 1930.34! 1930 </Td> <Td> Son of the Gods </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 442 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1930.35! 1930 </Td> <Td> Song of the Flame </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6501 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Soundtrack extant . </Td> </Tr> <Tr> <Td> 1930.36! 1930 </Td> <Td> Song of the West </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7189 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Vitaphone discs extant . </Td> </Tr> <Tr> <Td> 1930.37! 1930 </Td> <Td> Viennese Nights </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 9191 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant, preserved at UCLA . </Td> </Tr> <Tr> <Td> 1930.38! 1930 </Td> <Td> Golden Dawn </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7546 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant in black - and - white only . Color fragment found circa 2015 . </Td> </Tr> <Tr> <Td> 1930.39! 1930 </Td> <Td> Peacock Alley </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 651 ft . </Td> <Td> Tiffany </Td> </Tr> <Tr> <Td_colspan="6"> Extant; color sequence is at the Library of Congress . </Td> </Tr> <Tr> <Td> 1930.4! 1930 </Td> <Td> No, No, Nanette </Td> <Td> United States </Td> <Td> Technicolor Sequences </Td> <Td> 3895 ft . </Td> <Td> First National - Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1930.41! 1930 </Td> <Td> Lottery! The Lottery Bride </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 358 ft . </Td> <Td> United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Color sequence survives at the George Eastman House . On DVD . </Td> </Tr> <Tr> <Td> 1930.42! 1930 </Td> <Td> Lord Byron of Broadway </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 878 ft . </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1930.43! 1930 </Td> <Td> Leathernecking </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 1474 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1930.44! 1930 </Td> <Td> Hit the Deck </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 3772 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . </Td> </Tr> <Tr> <Td> 1930.45! 1930 </Td> <Td> Dixiana </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 2006 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1930.46! 1930 </Td> <Td> cuc! The Cuckoos </Td> <Td> United States </Td> <Td> Technicolor insert </Td> <Td> 833 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Extant . </Td> </Tr> <Tr> <Td> 1931.01! 1931 </Td> <Td> Delicious </Td> <Td> United States </Td> <Td> Multicolor inserts </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . </Td> </Tr> <Tr> <Td> 1931.02! 1931 </Td> <Td> Woman Hungry </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6119 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant . On DVD . </Td> </Tr> <Tr> <Td> 1931.03! 1931 </Td> <Td> Manhattan Parade </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6692 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . On DVD . </Td> </Tr> <Tr> <Td> 1931.04! 1931 </Td> <Td> Fifty Million Frenchmen </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6480 ft . </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . On DVD . </Td> </Tr> <Tr> <Td> 1931.05! 1931 </Td> <Td> Kiss Me Again </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white . On DVD . </Td> </Tr> <Tr> <Td> 1931.06! 1931 </Td> <Td> Hawk! The Hawk </Td> <Td> United States </Td> <Td> Multicolor feature </Td> <Td> </Td> <Td> Romantic Productions </Td> </Tr> <Tr> <Td_colspan="6"> Shot as the first feature entirely in Multicolor, it had a very limited release . Five years later using the new process Cinecolor it was re-edited and re-recorded as "Phantom of Santa Fe". On DVD . </Td> </Tr> <Tr> <Td> 1931.07! 1931 </Td> <Td> Runaround! The Runaround </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 5714 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Extant only in black - and - white, except for color first reel at Museum of Modern Art . On DVD . </Td> </Tr> <Tr> <Td> 1931.08! 1931 </Td> <Td> Fanny Foley Herself </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 6699 ft . </Td> <Td> RKO </Td> </Tr> <Tr> <Td_colspan="6"> Lost film . Technicolor trailer extant at George Eastman House . </Td> </Tr> <Tr> <Td> 1932.09! 1932 </Td> <Td> Tex Takes a Holiday </Td> <Td> United States </Td> <Td> Multicolor feature </Td> <Td> </Td> <Td> Argosy Productions Corporation </Td> </Tr> <Tr> <Td_colspan="6"> Final feature - length film shot entirely in Multicolor . Extant . On DVD . </Td> </Tr> <Tr> <Td> 1932.1! 1932 </Td> <Td> Doctor X </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7048 ft </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant . On DVD . </Td> </Tr> <Tr> <Td> 1932.11! 1932 </Td> <Td> Girl! The Girl from Calgary </Td> <Td> United States </Td> <Td> Magnacolor insert </Td> <Td> </Td> <Td> Chardwick Productions </Td> </Tr> <Tr> <Td_colspan="6"> First reel was shot in color . Extant, status of color sequence is unknown . </Td> </Tr> <Tr> <Td> 1932.12! 1932 </Td> <Td> Death! The Death Kiss </Td> <Td> United States </Td> <Td> Hand - colored inserts </Td> <Td> </Td> <Td> Sono Art - World Wide Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Hand color by Gustav Brock . </Td> </Tr> <Tr> <Td> 1933.1! 1933 </Td> <Td> Mystery of the Wax Museum </Td> <Td> United States </Td> <Td> Technicolor feature </Td> <Td> 7184 ft </Td> <Td> Warner Bros . </Td> </Tr> <Tr> <Td_colspan="6"> Extant . On DVD . </Td> </Tr> <Tr> <Td> 1933.2! 1933 </Td> <Td> Sairandhri </Td> <Td> India </Td> <Td> UFacolor feature </Td> <Td> </Td> <Td> Prabhat Film Company </Td> </Tr> <Tr> <Td_colspan="6"> First color film shot in India, but processed and printed in Germany . Extant . On DVD . </Td> </Tr> <Tr> <Td> 1934.1! 1934 </Td> <Td> Radio Parade of 1935 </Td> <Td> United Kingdom </Td> <Td> Dufaycolor inserts </Td> <Td> </Td> <Td> British International Pictures </Td> </Tr> <Tr> <Td_colspan="6"> Two sequences were filmed in Dufaycolor . Extant . </Td> </Tr> <Tr> <Td> 1934.2! 1934 </Td> <Td> Adventure Girl </Td> <Td> United States </Td> <Td> Hand - colored inserts </Td> <Td> </Td> <Td> Van Beuren Studios </Td> </Tr> <Tr> <Td_colspan="6"> Extant . Hand color by Gustav Brock . </Td> </Tr> <Tr> <Td> 1934.3! 1934 </Td> <Td> Sweden, Land of the Vikings </Td> <Td> United States </Td> <Td> Cinecolor feature </Td> <Td> </Td> <Td> </Td> </Tr> <Tr> <Td_colspan="6"> First feature - length film in Cinecolor . On DVD . </Td> </Tr> <Tr> <Td> 1934.4! 1934 </Td> <Td> Cat! The Cat and the Fiddle </Td> <Td> United States </Td> <Td> Technicolor, Process 4 insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white with final reel in color . First use of three - strip Technicolor in a feature - length film . On DVD . </Td> </Tr> <Tr> <Td> 1934.5! 1934 </Td> <Td> House! The House of Rothschild </Td> <Td> United States </Td> <Td> Technicolor, Process 4 insert </Td> <Td> </Td> <Td> 20th Century Pictures / United Artist </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white with final sequence in color . </Td> </Tr> <Tr> <Td> 1934.6! 1934 </Td> <Td> Hollywood Party </Td> <Td> United States </Td> <Td> Technicolor, Process 4 insert </Td> <Td> </Td> <Td> Metro - Goldwyn - Mayer </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white with animated cartoon sequence in color . </Td> </Tr> <Tr> <Td> 1934.7! 1934 </Td> <Td> Kid Millions </Td> <Td> United States </Td> <Td> Technicolor, Process 4 insert </Td> <Td> </Td> <Td> Samuel Goldwyn / United Artists </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white with "Ice Cream Factory" musical finale in color . </Td> </Tr> <Tr> <Td> 1935.1! 1935 </Td> <Td> Karnaval cvetov </Td> <Td> Soviet Union </Td> <Td> Russian two - color process feature </Td> <Td> </Td> <Td> Mezhrabpomfilm </Td> </Tr> <Tr> <Td_colspan="6"> First Russian color film . Extant complete . On DVD . </Td> </Tr> <Tr> <Td> 1935.2! 1935 </Td> <Td> Jeunies filles à marier </Td> <Td> France </Td> <Td> Franciacolor feature </Td> <Td> </Td> <Td> Paris Color Films </Td> </Tr> <Tr> <Td_colspan="6"> First French feature in natural color . Extant . On DVD . </Td> </Tr> <Tr> <Td> 1935.3! 1935 </Td> <Td> Legong: Dance of the Virgins </Td> <Td> United States </Td> <Td> Technicolor Process 3 (two - color) feature </Td> <Td> 5054 ft </Td> <Td> DuWorld Pictures (US) / Paramount (intl) </Td> </Tr> <Tr> <Td_colspan="6"> Produced by Constance Bennett and Henri de la Falaise . Feature - length documentary filmed entirely in two - color Technicolor, one of the last uses of the older process . Restored in 1999 by UCLA Film and Television Archive . On DVD . </Td> </Tr> <Tr> <Td> 1935.4! 1935 </Td> <Td> Little! The Little Colonel </Td> <Td> United States </Td> <Td> Technicolor, Process 4 insert </Td> <Td> </Td> <Td> Fox </Td> </Tr> <Tr> <Td_colspan="6"> Black - and - white with one Technicolor sequence </Td> </Tr> <Tr> <Td> 1935.5! 1935 </Td> <Td> Becky Sharp </Td> <Td> United States </Td> <Td> Technicolor, Process 4 feature </Td> <Td> </Td> <Td> Pioneer Pictures / RKO </Td> </Tr> <Tr> <Td_colspan="6"> First feature - length film entirely in three - strip Technicolor . On DVD . </Td> </Tr> <Tr> <Td> 1936.01! 1936 </Td> <Td> Kliou the Killer </Td> <Td> United States </Td> <Td> Technicolor, Process 3 (two - color) feature </Td> <Td> 4917 ft </Td> <Td> Bennett Pictures / DuWorld Pictures (US) </Td> </Tr> <Tr> <Td_colspan="6"> Final two - color Technicolor feature . Extant only in black and white . On DVD . </Td> </Tr> <Tr> <Td> 1936.02! 1936 </Td> <Td> Trail! The Trail of the Lonesome Pine </Td> <Td> United States </Td> <Td> Technicolor, Process 4 feature </Td> <Td> </Td> <Td> Walter Wanger Productions / Paramount Pictures </Td> </Tr> <Tr> <Td_colspan="6"> First three - strip Technicolor feature filmed outdoors by natural light . </Td> </Tr> <Tr> <Td> 1936.03! 1936 </Td> <Td> We're in the Legion Now! </Td> <Td> United States </Td> <Td> Magnacolor feature </Td> <Td> </Td> <Td> George A. Hirliman Productions </Td> </Tr> <Tr> <Td_colspan="6"> Also known as The Rest Cure . Extant . On DVD . </Td> </Tr> <Tr> <Td> 1936.04! 1936 </Td> <Td> Phantom of Santa Fe </Td> <Td> United States </Td> <Td> Cinecolor feature </Td> <Td> </Td> <Td> Burroughs - Tarzan Enterprises </Td> </Tr> <Tr> <Td_colspan="6"> Filmed in Multicolor five years earlier as "The Hawk", re-edited version released in Cinecolor as "Phantom of Santa Fe". Extant . On DVD . </Td> </Tr> <Tr> <Td> 1936.05! 1936 </Td> <Td> Dying! La terre qui meurt </Td> <Td> France </Td> <Td> Franciacolor feature </Td> <Td> </Td> <Td> Paris Color Films </Td> </Tr> <Tr> <Td_colspan="6"> Also known as "The Land That Dies". Restored in 1992 . On DVD . </Td> </Tr> <Tr> <Td> 1936.06! 1936 </Td> <Td> Pagliacci </Td> <Td> Italy / United Kingdom </Td> <Td> UFAcolor inserts </Td> <Td> </Td> <Td> Trafalgar Film Productions </Td> </Tr> <Tr> <Td_colspan="6"> Extant with color . On DVD . </Td> </Tr> <Tr> <Td> 1936.07! 1936 </Td> <Td> Nightingale! Grunya Kornakova </Td> <Td> Soviet Union </Td> <Td> Russian two - color Process feature </Td> <Td> </Td> <Td> Mezhrabpomfilm </Td> </Tr> <Tr> <Td_colspan="6"> First Russian feature - length narrative film in color . Extant . </Td> </Tr> <Tr> <Td> 1936.08! 1936 </Td> <Td> Bajo el sol de Loret </Td> <Td> Peru </Td> <Td> Unknown color process feature </Td> <Td> </Td> <Td> </Td> </Tr> <Tr> <Td_colspan="6"> Also known as "Under Loreto's Sun". First Peruvian color feature film . Extant . </Td> </Tr> <Tr> <Td> 1936.09! 1936 </Td> <Td> Devil! The Devil on Horseback </Td> <Td> United States </Td> <Td> Hirlicolor feature </Td> <Td> </Td> <Td> George A. Hirliman Productions </Td> </Tr> <Tr> <Td_colspan="6"> Long presumed lost until found in private collection in the 1980s . Complete in UCLA Film and Television Archive . On DVD . </Td> </Tr> <Tr> <Td> 1936.1! 1936 </Td> <Td> Bold! The Bold Caballero </Td> <Td> United States </Td> <Td> Magnacolor feature </Td> <Td> </Td> <Td> Republic Pictures </Td> </Tr> <Tr> <Td_colspan="6"> First "Zorro" film shot in color . Extant complete . On DVD . </Td> </Tr> <Tr> <Td> 1936.11! 1936 </Td> <Td> Captain Calamity </Td> <Td> United States </Td> <Td> Hirlicolor feature </Td> <Td> </Td> <Td> George A. Hirliman Productions </Td> </Tr> <Tr> <Td_colspan="6"> Extant complete . Released on DVD . </Td> </Tr> <Tr> <Td> 1937 </Td> <Td> Kisan Kanya </Td> <Td> India </Td> <Td> Cinecolor feature </Td> <Td> </Td> <Td> Imperial Pictures </Td> </Tr> <Tr> <Td_colspan="6"> First Hindi color film made entirely in India . Extant . On DVD . </Td> </Tr> </Table> <Tr> <Th> Year </Th> <Th> Title </Th> <Th> Country </Th> <Th> Color process </Th> <Th> Length </Th> <Th> Production company </Th> </Tr>

What was the first movie to be in color
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