<P> In ancient Greece, the birthplace of European drama, the writer bore principal responsibility for the staging of his plays . Actors were generally semi-professionals, and the director oversaw the mounting of plays from the writing process all the way through to their performance, often acting in them too, as Aeschylus for example did . The author - director would also train the chorus, sometimes compose the music, and supervise every aspect of production . The fact that the director was called didaskalos, the Greek word for "teacher," indicates that the work of these early directors combined instructing their performers with staging their work . </P> <P> In medieval times, the complexity of vernacular religious drama, with its large scale mystery plays that often included crowd scenes, processions and elaborate effects, gave the role of director (or stage manager or pageant master) considerable importance . A miniature by Jean Fouquet from 1460 (pictured) bears one of the earliest depictions of a director at work . Holding a prompt book, the central figure directs, with the aid of a long stick, the proceedings of the staging of a dramatization of the Martyrdom of Saint Apollonia . According to Fouquet, the director's tasks included overseeing the erecting of a stage and scenery (there were no permanent, purpose - built theatre structures at this time, and performances of vernacular drama mostly took place in the open air), casting and directing the actors (which included fining them for those that infringed rules), and addressing the audience at the beginning of each performance and after each intermission . </P> <P> From Renaissance times up until the 19th century, the role of director was often carried by the actor - manager . This would usually be a senior actor in a troupe who took the responsibility for choosing the repertoire of work, staging it and managing the company . This was the case for instance with Commedia dell'Arte companies and English actor - managers like Colley Cibber and David Garrick . </P> <P> The modern theatre director can be said to have originated in the staging of elaborate spectacles of the Meininger Company under George II, Duke of Saxe - Meiningen . The management of large numbers of extras and complex stagecraft matters necessitated an individual to take on the role of overall coordinator . This gave rise to the role of the director in modern theatre, and Germany would provide a platform for a generation of emerging visionary theatre directors, such as Erwin Piscator and Max Reinhardt . Simultaneously, Constantin Stanislavski, principally an actor - manager, would set up the Moscow Art Theatre in Russia and similarly emancipate the role of the director as artistic visionary . </P>

Who would take on the role of the director during the renaissance and through the 19th century