<Tr> <Th> Dutch (used in NL, and sometimes in Scandinavia after the 1990s) </Th> <Td> </Td> <Td> Cis (C ♯) </Td> <Td> </Td> <Td> Dis (D ♯) </Td> <Td> </Td> <Td> </Td> <Td> Fis (F ♯) </Td> <Td> </Td> <Td> Gis (G ♯) </Td> <Td> </Td> <Td> Ais (A ♯) </Td> <Td> </Td> </Tr> <Tr> <Td> Des (D ♭) </Td> <Td> Es (E ♭) </Td> <Td> Ges (G ♭) </Td> <Td> As (A ♭) </Td> <Td> Bes (B ♭) </Td> </Tr> <Tr> <Th> Neo-Latin (used in IT, FR, ES, RO, Latin America, IL, TR, and many other countries) diesis / bemolle are Italian spelling </Th> <Td> Do </Td> <Td> Do diesis (Do ♯) </Td> <Td> Re </Td> <Td> Re diesis (Re ♯) </Td> <Td> Mi </Td> <Td> Fa </Td> <Td> Fa diesis (Fa ♯) </Td> <Td> Sol </Td> <Td> Sol diesis (Sol ♯) </Td> <Td> La </Td> <Td> La diesis (La ♯) </Td> <Td> Si </Td> </Tr> <Tr> <Td> Re bemolle (Re ♭) </Td> <Td> Mi bemolle (Mi ♭) </Td> <Td> Sol bemolle (Sol ♭) </Td> <Td> La bemolle (La ♭) </Td> <Td> Si bemolle (Si ♭) </Td> </Tr>

2. define the characteristics of the following percussion notes