<Dd> The architectural design of the château draws the gaze up towards the dreamily poetic volutes . The towers conceal their protective nature beneath festive trappings, redolent of fabulous adventures in the forests of Arthurian legends and suggestive of the presence of God in His creation . As François Cali put it: "These extravagant towers are a dream landscape with constellations of canopies, pinnacles, gables and arrows, with their crockets fluttering against the light ." </Dd> <Dl> <Dd> <Dl> <Dd> In the middle of the grape pickers, a character is showing his behind . This intentionally grotesque touch contrasts with the extraordinary elegance of the château . Jean Colombe's peasants lack the dignity they have in the other miniatures . </Dd> </Dl> </Dd> </Dl> <Dd> <Dl> <Dd> In the middle of the grape pickers, a character is showing his behind . This intentionally grotesque touch contrasts with the extraordinary elegance of the château . Jean Colombe's peasants lack the dignity they have in the other miniatures . </Dd> </Dl> </Dd> <Dl> <Dd> In the middle of the grape pickers, a character is showing his behind . This intentionally grotesque touch contrasts with the extraordinary elegance of the château . Jean Colombe's peasants lack the dignity they have in the other miniatures . </Dd> </Dl>

Le tres riches heures du duc de berry