<Tr> <Td> The Rolling Stone Album Guide </Td> <Td> </Td> </Tr> <Tr> <Td> Sputnikmusic </Td> <Td> </Td> </Tr> <Tr> <Td> Uncut </Td> <Td> </Td> </Tr> <P> As the quadraphonic mix of the album was not then complete, the band (with the exception of Wright) boycotted the press reception held at the London Planetarium on 27 February . The guests were, instead, presented with a quartet of life - sized cardboard cut - outs of the band, and the stereo mix of the album was presented through a poor - quality public address system . Generally, however, the press were enthusiastic; Melody Maker's Roy Hollingworth described side one as "so utterly confused with itself it was difficult to follow", but praised side two, writing: "The songs, the sounds, the rhythms were solid and sound, Saxophone hit the air, the band rocked and rolled, and then gushed and tripped away into the night ." Steve Peacock of Sounds wrote: "I don't care if you've never heard a note of the Pink Floyd's music in your life, I'd unreservedly recommend everyone to The Dark Side of the Moon". In his 1973 review for Rolling Stone magazine, Loyd Grossman declared Dark Side "a fine album with a textural and conceptual richness that not only invites, but demands involvement". In his 1981 review of the album, Robert Christgau found its lyrical ideas clichéd and its music pretentious, but called it a "kitsch masterpiece" that can be charming with highlights such as taped speech fragments, Parry's saxophone, and studio effects which enhance Gilmour's guitar solos . </P>

Pink floyd dark side of the moon video album