<P> As soon as editor Julian Clarke began selecting shots for the film, they were color graded by EFILM's Tim Stipan to ensure that they matched with each other . Stipan colored the characters slightly differently, such as giving Deadpool a "dark, modern touch" and Colossus a "particular vibrancy and substance". Clarke edited each scene focusing on humor, choosing between alternate takes of jokes . He removed jokes made after Vanessa is kidnapped because they felt inappropriately timed, and cut down other scenes with less jokes such as Wilson being tortured as they were "too much . You took too long to recover (and) get back in the irreverent spirit of the movie ." During editing, a linear version of the film was produced . They decided to go with interweaving the timelines to balance the different serious and silly tones . A sequence removed from the film saw Wilson and Vanessa travel to Mexico looking for a cure after he turned down the recruiter . It was removed for pacing reasons, and was replaced with a short scene of Wilson sitting beside his window that was originally filmed to show him thinking about his diagnosis, but in the new context implies him re-thinking the recruiter's offer . </P> <P> Because of the animation required for Deadpool's mask and Colossus, Reese and Wernick had more freedom than usual to keep adjusting the script during post-production . Reynolds recorded new lines of dialogue using his iPhone, and then re-recorded the lines in an additional dialogue recording session once the film was finalized . Lines added after filming included Reynolds doing an impression of Wolverine star Hugh Jackman's natural Australian accent, and another where Deadpool asks whether the character Professor X is being portrayed by James McAvoy or Patrick Stewart at that point in the X-Men timeline, which became a favorite line in the film for many audience members . </P> <P> Visual effects for Deadpool were produced by Digital Domain (DD), Atomic Fiction, Blur Studio, Weta Digital, Rodeo FX, and Luma Pictures . Reynolds credited Miller and his visual effects experience with producing a film that looked like others with much bigger budgets . Motion capture supervisor Greg LaSalle agreed with this, noting that Miller held off on working on the CGI for Colossus until after the film was edited to avoid spending money on shots that would not be used . Miller worked with visual effects supervisor Rothbart to design and complete the film's 1500 effects shots . These were up from a planned 700 shots, with 800 of them completed in the last four weeks of production . </P> <P> Colossus's movements were re-recorded with performer T.J. Storm, as Tricoteux had been unable to move athletically due to the platform shoes he had to wear on set to replicate the character's height . LaSalle was used for his facial performance . DD then mapped these performances onto a digital model that was designed to be comic - accurate . The team sought specific reference for Colossus's metallic finish to avoid looking "chromey", visiting a metal company to look at various samples . They settled on cold rolled steel, with the darker hot rolled steel used for his hair . The model also includes ridges on the character, which could be moved separately from the rest of the model to keep them always perfectly straight as in the comic books . DD also created the model of Deadpool that was used by all vendors . His mask is animated around the eyes to be expressive as in the comics, which helped balance out the "chinwag" caused by Reynolds's acting coming through the bottom of the mask . Replacing Deadpool's head fully was going to be too costly, so Weta Digital instead warped each shot based on facial reference from Reynolds, and adjusted the lighting to reflect the changes . This was called an "ingenious 2D - ish solution". </P>

When does deadpool 2 come out on dd