<P> A dance suite contains some of the following movements: </P> <Ul> <Li> Prelude </Li> <Li> Entrée (ballet): Sometimes an entrée is composed as part of a suite; but there it is purely instrumental music and no dance is performed . It is an introduction, a march - like piece played during the entrance of a dancing group, or played before a ballet . Usually in time . It is related to the Italian' intrada' . </Li> <Li> Allemande: Literally translates from French as the word' German' . It is a stately German dance with a meter of . </Li> <Li> Courante or Corrente: A courante is a slow French dance in time, while the Corrente is an Italian dance in quick . </Li> <Li> Sarabande: A slow, stately Spanish dance in time . </Li> <Li> Intermezzi: This section consists of two to four dances at the discretion of the composer that may include a minuet, bourrée, polonaise, and / or a gavotte . </Li> <Li> Gigue (Giga): The gigue or' jig' originates in Britain and Ireland, and is a fast dance, normally with a meter of . The Italian giga is rarer than the gigue, and is faster with running passages over a harmonic basis . </Li> <Li> Minuet (Menuetto): A dance in a stately manner . It is often short and simple often with only clear theme and little variation . In many suites there are two minuets, in such cases the first minuet is played with repeats, then follows the second minuet with repeats, then the first minuet is repeated (da capo) usually without repeats . There may also be a third minuet, in which case it is played with repeats after the first da capo, afterwards the first minuet is played again (usually without repeats) as a second da capo . </Li> <Li> Polonaise: A dance in which comes in cycles of two bars . A heavy stress is placed on the first beat of the first bar and a lighter stress is placed on the second beat of the second bar giving a slight feeling of disorientation . </Li> <Li> Siciliana (Sicilienne): A dance in or in which most of the dance is fixed to one of three typical rhythms involving syncopation and inversion of the rhythm structure . It is often in a minor key and somewhat sombre . </Li> <Li> Bourrée: A light dance in time . A bourée begins with the last beat of a bar and continues with two or three bars until the 4th beat of one bar takes a light stress giving a sense of return to the beginning of the rhythm structure . </Li> <Li> Gavotte: The gavotte is a dance in or related time signature . It begins on the third beat of an incomplete bar . It continues for a few bars where the third beat takes a light stress giving a sense of returning to the beginning of the rhythm structure . </Li> <Li> Passepied: A French dance movement in or . The rhythm is almost always in quaver form . It begins on the last beat of an incomplete bar though the upbeat does not resolve until the end of each section (unlike the bourée or gavotte where there can be a resolution of the upbeat (s) every three or four bars . It is a light dance with a strong feeling of movement . </Li> </Ul> <Li> Entrée (ballet): Sometimes an entrée is composed as part of a suite; but there it is purely instrumental music and no dance is performed . It is an introduction, a march - like piece played during the entrance of a dancing group, or played before a ballet . Usually in time . It is related to the Italian' intrada' . </Li> <Li> Allemande: Literally translates from French as the word' German' . It is a stately German dance with a meter of . </Li>

What is the musical form of most french baroque dance movements