<P> The French fable of La Fontaine (III. 11) is almost as concise and pointed as the early versions of Babrius and Phaedrus and certainly contributed to the story's popularity . A century after its publication, this was the tale with which the sculptor Pierre Julien chose to associate its creator in his statue of La Fontaine (commissioned in 1782), now in the Louvre . The poet is represented in a famous episode of his life, when he was seen one morning by the Duchess of Bouillon seated against a tree trunk meditating . When she passed the same spot that evening he was still there in exactly the same position . Julien has portrayed him in an ample cloak, with a gnarled tree on which a vine with grapes is climbing . On his knee is the manuscript of the poem; at his feet, a fox is seated on his hat with its paw on a leather - bound volume, looking up at him . </P> <P> Gustave Doré's illustration of the fable for the 1870 edition pictures a young man in a garden who is looking towards the steps to a mansion in the distance on which several young women are congregated . An older man is holding up his thumb and forefinger, indicating that they are only little girls . The meaning of this transposition to the human situation hinges on the double meaning of' unripe' (vert) in French, which could also be used of a sexually immature female . From this emerges the story's subtext, of which a literal translation reads </P> <Dl> <Dd> The gallant would gladly have made a meal of them </Dd> <Dd> But as he was unable to succeed, says he: </Dd> <Dd>' They are unripe and only fit for green boys .' </Dd> </Dl> <Dd> The gallant would gladly have made a meal of them </Dd>

A fox passed by a vine of grapes