<P> Joe Turner is exactly that, a linear story line with depictions of everyday life for the residents of the boardinghouse . While modern audiences can't necessarily relate with all aspects of this culture, it is definitely plausible in the context of American history . Later Rush goes on to qualify realism by "three unities: time, place, and action (192)". Again this play follows this definition of realism in that it is linear plot, remains in the place - the boardinghouse in Pittsburgh - and effectively tells the story of the few people that live in this house . </P> <P> In a review of the Ethel Barrymore staging of the play, Clive Barnes comments on the language, idiom, and mix of naturalism and symbolism are beautifully staged and the cast is excellent at depicting the realistic play and develop it a heartrending climax . </P> <P> Much like the style of the play, the language used in Joe Turner is realistic in nature and depicts that of the dialogue of the day . Each of the characters has a specific rhythm and speech pattern . The dialogue of the characters also reflects the accents that the characters would have had; like Seth's Pennsylvanian twang and Loomis's Southern drawl . And according to Anne Fleche, there is a lack of suspense or surprise in the dialogue and the comfort of the language of the characters encourages the theme of reoccurring, oppressing experiences . </P> <P> The major themes in Joe Turner's Come and Gone are identity, migration, and racial discrimination . These core themes are ones August Wilson tends to use in many of his plays . one </P>

Who is herald attracted to but cannot touch in joe turner’s come and gone