<P> Worldwide, the film was expected to make $80--90 million from 57 countries, including France, Germany, the UK, Australia, Brazil, Mexico and Japan, in its first three days for a worldwide debut of $113--130 million . It ended up grossing $98.1 million from overseas for global debut of $136.9 million; it marked a 7% decrease from the previous film but still finished first in 54 of the 57 markets . Its leading countries were Germany ($10.7 million), the United Kingdom ($8.8 million) and France ($8.7 million). </P> <P> On review aggregator website Rotten Tomatoes, the film has an approval rating of 13% based on 144 reviews, and an average rating of 3.2 / 10 . The website's critical consensus reads, "Fifty Shades Freed brings its titillating trilogy to a clumsy conclusion, making for a film franchise that adds up to a distinctly dissatisfying ménage à trois ." On Metacritic, the film has a weighted average score of 32 out of 100 based on 41 critics, meaning "generally unfavorable reviews ." Audiences polled by CinemaScore gave the film an average grade of "B +" on an A+ to F scale, the same score earned by Darker, while comScore reported that 56% of females (who made up 81% of the opening weekend) gave the film a "definite recommend". </P> <P> Writing for Variety, Guy Lodge was critical of the film, saying "Indeed, a sex - free, PG - 13 version of Freed could be cut without shedding a second of narrative coherence, such as it is; one could ask what the point of that would be, though similar queries might be leveled at the film as it stands ." Rolling Stone's Peter Travers gave the film zero out of four, stating "With this last entry, we have officially hit the bottom of the barrel . Whips, chains, butt plugs and nipple clips are nothing compared to the sheer torture of watching this movie ." Robbie Collin from The Telegraph gave the film one out of five stars, and wrote "This is a film in which one of the more emotionally detailed performances is given by a product - placement Audi ." </P> <P> Jeannette Catsoulis, writing for The New York Times, found the film to be significantly inferior to Kim Basinger's 91⁄2 Weeks, stating: "Layering a damp - squib thriller subplot beneath what appears to be an ad campaign for the one - percent lifestyle, the returning director and screenwriter test the newly married couple with an inconvenient pregnancy and an unconvincing car chase . There's an out - of - left - field abduction and a marital tiff over email addresses; but these narrative fragments, lazily tossed together alongside a neglected supporting cast, are no more than a flimsy causeway connecting bonking sessions ." </P>

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