<P> Act two begins almost a year later with Andrei and Natasha married with their first child (offstage), a baby boy named Bobik . Natasha is having an affair with Protopopov, Andrei's superior, a character who is mentioned but never seen onstage . Masha comes home flushed from a night out, and it is clear that she and her companion, Lieutenant - Colonel Vershinin, are giddy with the secret of their mutual love for one another . Little seems to happen but that Natasha manipulatively quashes the plans for a party in the home, but the resultant quiet suggests that all gaiety is being quashed as well . Tuzenbach and Solyony both declare their love for Irina . </P> <P> Act three takes place about a year later in Olga and Irina's room (a clear sign that Natasha is taking over the household as she asked them to share rooms so that her child could have a different room). There has been a fire in the town, and, in the crisis, people are passing in and out of the room, carrying blankets and clothes to give aid . Olga, Masha and Irina are angry with their brother, Andrei, for mortgaging their home, keeping the money to pay off his gambling debts and conceding all his power to his wife . However, when faced with Natasha's cruelty to their aged family retainer, Anfisa, Olga's own best efforts to stand up to Natasha come to naught . Masha, alone with her sisters, confides in them her romance with Vershinin ("I love, love, love that man"). At one point, Kulygin (her husband) blunders into the room, doting ever more foolishly on her, and she stalks out . Irina despairs at the common turn her life has taken, the life of a municipal worker, even as she rails at the folly of her aspirations and her education ("I can't remember the Italian for' window"'). Out of her resignation, supported in this by Olga's realistic outlook, Irina decides to accept Tuzenbach's offer of marriage even though she does not love him . Chebutykin drunkenly stumbles and smashes a clock which had belonged to the Prozorov siblings' late mother, whom he loved . Andrei then vents his self - hatred, acknowledges his own awareness of life's folly and his disappointment in Natasha, and begs his sisters' forgiveness for everything . </P> <P> In the fourth and final act, outdoors behind the home, the soldiers, who by now are friends of the family, are preparing to leave the area . A flash - photograph is taken . There is an undercurrent of tension because Solyony has challenged the Baron (Tuzenbach) to a duel, but Tuzenbach is intent on hiding it from Irina . He and Irina share a heartbreaking delicate scene in which she confesses that she cannot love him, likening her heart to a piano whose key has been lost . Just as the soldiers are leaving, a shot is heard, and Tuzenbach's death in the duel is announced shortly before the end of the play . Masha has to be pulled, sobbing, from Vershinin's arms, but her husband willingly, compassionately and all too generously accepts her back, no questions asked . Olga has reluctantly accepted the position of permanent headmistress of the school where she teaches and is moving out . She is taking Anfisa with her, thus rescuing the elderly woman from Natasha . </P> <P> Irina's fate is uncertain but, even in her grief at Tuzenbach's death, she wants to persevere in her work as a teacher . Natasha remains as the chatelaine, in charge and in control of everything . Andrei is stuck in his marriage with two children, the only people that Natasha cares about, besides herself . As the play closes, the three sisters stand in a desperate embrace, gazing off as the soldiers depart to the sound of a band's gay march . As Chebutykin sings Ta - ra - ra - boom - di - ay to himself, Olga's final lines call out for an end to the confusion all three feel at life's sufferings and joy: "If we only knew...If we only knew". </P>

Who dies at the end of three sisters