<P> The Australian censors refused to classify the 83 - minute version of the film in June 1975; the board similarly refused classification of a 77 - minute print in December that year . In 1981, an 83 - minute version submitted by Greater Union Organization Film Distributors was again refused registration . It was later submitted by Filmways Australia and approved for an "R" rating in 1984 . It was banned for periods in many other countries, including Brazil, Chile, Finland, France, Iceland, Ireland, Norway, Singapore, Sweden and West Germany . </P> <P> The Texas Chain Saw Massacre received a mixed reaction upon its initial release . Linda Gross of the Los Angeles Times called it "despicable" and described Henkel and Hooper as more concerned with creating a realistic atmosphere than with its "plastic script". Roger Ebert of the Chicago Sun - Times said it was "as violent and gruesome and blood - soaked as the title promises", yet praised its acting and technical execution . Patrick Taggart of the Austin American - Statesman hailed it as the most important horror film since George A. Romero's Night of the Living Dead (1968). Variety found the picture to be well - made, despite what it called the "heavy doses of gore". John McCarty of Cinefantastique stated that the house featured in the film made the Bates motel "look positively pleasant by comparison". Revisiting the film in his 1976 article "Fashions in Pornography" for Harper's Magazine, Stephen Koch found its sadistic violence to be extreme and unimaginative . </P> <P> Critics later frequently praised both the film's aesthetic quality and its power . Observing that it managed to be "horrifying without being a bloodbath (you'll see more gore in a Steven Seagal film)", Bruce Westbrook of the Houston Chronicle called it "a backwoods masterpiece of fear and loathing". TV Guide thought it was "intelligent" in its "bloodless depiction of violence", while Anton Bitel felt the fact that it was banned in the United Kingdom was a tribute to its artistry . He pointed out how the quiet sense of foreboding at the beginning of the film grows, until the viewer experiences "a punishing assault on the senses". In Hick Flicks: The Rise and Fall of Redneck Cinema, Scott Von Doviak commended its effective use of daylight shots, unusual among horror films, such as the sight of a corpse draped over a tombstone in the opening sequence . Mike Emery of The Austin Chronicle praised the film's "subtle touches"--such as radio broadcasts heard in the background describing grisly murders around Texas--and said that what made it so dreadful was that it never strayed too far from potential reality . </P> <P> It has often been described as one of the scariest films of all time . Rex Reed called it the most terrifying film he had ever seen . Empire described it as "the most purely horrifying horror movie ever made" and called it "never less than totally committed to scaring you witless". Reminiscing about his first viewing of the film, horror director Wes Craven recalled wondering "what kind of Mansonite crazoid" could have created such a thing . It is a work of "cataclysmic terror", in the words of horror novelist Stephen King, who declared, "I would happily testify to its redeeming social merit in any court in the country ." Critic Robin Wood found it one of the few horror films to possess "the authentic quality of nightmare". Based on 56 reviews published since 2000, the review aggregate website Rotten Tomatoes reports that 88% of critics gave it a positive review, with an average score of 7.9 out of 10 . </P>

Where did the texas chainsaw massacre come from