<Li> The Eagles: The eagle rescue at the end of the film passed through two different compositions, with three distinct melodic ideas associated with the Eagles throughout . The version used in the finished film was reused in the Battle of the Five Armies, creating a new theme for the eagles . there is also an alternate Eagle theme on the album . </Li> <Li> Stone Giants . </Li> <Ul> <Li> Gandalf's theme: In The Lord of the Rings, Shore saw Gandalf the Grey as a mediator figure, and intentionally wrote no theme for him . The Hobbit saw the character of Gandalf explored much more, providing Shore with reason to write a new, five - note theme for the wizard . </Li> <Li> The Istari: The order of the Wizards, the Istari, is also depicted by a theme of its own . The theme is mostly associated with Gandalf, who is featured much more prominently than the other wizards . </Li> <Li> Radagast theme: Radagast is represented by nervous table percussion and fiddle, complementing both his perpetual movement, his association with nature and his eastern - European inspired design . This theme was left out of the finished film . Adams mentions several themes being associated with the Wizard, which perhaps includes a longer melodic line for fiddle and boy choir which appears on the album . In the film, the theme appears in the orchestra, without the solo fiddle or voices . </Li> <Li> Shadow Over Greenwood: an eerie call sung by the boy choir as Radagast discovers the sickness of Mirkwood forest . The theme is reprised when Gandalf reveals the Morgul blade to the White Council . </Li> </Ul> <Li> Gandalf's theme: In The Lord of the Rings, Shore saw Gandalf the Grey as a mediator figure, and intentionally wrote no theme for him . The Hobbit saw the character of Gandalf explored much more, providing Shore with reason to write a new, five - note theme for the wizard . </Li>

Soundtrack to the hobbit battle of five armies