<P> In its early conceptual stages, Cyrus called Miley Cyrus & Her Dead Petz "a little psychedelic, but still in that pop world". Mike Will Made It described it as "like country Lana Del Rey backed by a choir, except it's Miley pouring her heart out". The album is experimental and psychedelic, with elements of psychedelic pop, psychedelic rock, alternative pop, synthpop, art pop and space rock . </P> <P> The first half of Miley Cyrus & Her Dead Petz has "a healthy dose of the (Flaming Lips)' warm guitars and uniquely unsettling approach to melody"; in its second half, the band's "organic approach" is integrated with the "throbbing computer (pop)" of Mike Will Made It's production . Jason Lipshutz of Billboard interpreted the album's drug and sexual references as Cyrus' way of "addressing the parents put off by her twerk - happy antics during her Bangerz run: You ain't seen nothin' yet!" "Dooo It!" incorporates elements of hip hop and trap music as Cyrus sings, "Yeah, I smoke pot / yeah, I love peace / but I don't give a fuck / I ain't no hippie" in a style called reminiscent of "M.I.A.'s abrasive bravado". "Karen Don't Be Sad" is a "hazy ballad" which has been described as a "lost track from Yoshimi Battles the Pink Robots ." "The Floyd Song (Sunrise)" was written after the April 2014 death of Cyrus' dog, Floyd, while she was on the Bangerz Tour . The combination of "acoustic guitar, zapping electronics and warm synth pads" has been said to make Cyrus' vocals sound like she is "fronting a Flaming Lips cover band". </P> <P> Like "Karen Don't Be Sad", the acoustic "Something About Space Dude" has been compared to material from The Flaming Lips' Yoshimi Battles the Pink Robots (2002). In "Space Bootz" Cyrus expresses affection for a love interest who is "emotionally unavailable", with a more "cosmic - pop" production and "interstellar whooshes and synths" than the lyrically - similar "Something About Space Dude". "Fuckin Fucked Up" is a witch house - inspired interlude before "BB Talk"; in "BB Talk" Cyrus expresses distaste for public displays of affection from a love interest and a desire for him to "fuck (her) so (he stops) baby talking ." The "swaying, stoney, piano - based" "Fweaky" describes a sexual encounter after drinking and using drugs . "Bang Me Box", a "raunchy electro R&B" song, expresses an explicit desire for lesbian sex . </P> <P> Cyrus sings the tenth song, "Milky Milky Milk", in a "robotic" voice over a "wiggy synth" beat . It shares the lyrics "I feel like a slab of butter / that is melting in the sun / oppression melts away / now that you and me are one" with the next track, "Slab of Butter (Scorpion)", which features Sarah Barthel of Phantogram . The "' 80s robo - funk" interlude "I'm So Drunk" precedes "I Forgive Yiew", with its elements of "cartoonish funk - hop ." "I Get So Scared" is a "soulful" number about moving on from a former love interest, and "Lighter" combines a Cyndi Lauperesque vocal with "percolating' 80s pop" experimentation . "Tangerine" is a "spacey, acid dipped slow burner", with a verse by rapper Big Sean in the middle, followed by the chime - heavy "Tiger Dreams" with Ariel Pink as a background vocalist . The eighteenth track, "Evil Is But a Shadow", was compared to Portishead; when heard with "Tangerine" and "Tiger Dreams", it has "druggy" and "hypnotic" elements . </P>

Miley cyrus and her dead petz track list