<Table> <Tr> <Th> Photo </Th> <Th> Dates </Th> <Th> Artist </Th> <Th> Title </Th> <Th> Description </Th> </Tr> <Tr> <Td> </Td> <Td> 15 September 2005--late 2007 </Td> <Td> Marc Quinn </Td> <Td> Alison Lapper Pregnant </Td> <Td> A 3.6 metres (12 ft), 13 - tonne Carrara marble torso - bust of Alison Lapper, an artist who was born with no arms and shortened legs due to a condition called phocomelia . It explores representations of beauty and the human form in public space, and was remade on an even more monumental scale for the closing ceremony of the London 2012 Summer Paralympic Games . </Td> </Tr> <Tr> <Td> </Td> <Td> 2007 </Td> <Td> Thomas Schütte </Td> <Td> Model for a Hotel 2007 (formerly Hotel for the Birds) </Td> <Td> (unveiled 7 November 2007)--a 5 - metre by 4.5 - metre by 5 - metre architectural model of a 21 - storey building made from coloured glass . Sandy Nairne, director of the National Portrait Gallery and then chairman of the Fourth Plinth Commissioning Group that recommended Quinn's and Schütte's proposals to the Mayor in 2004, said: "There will be something extraordinarily sensual about the play of light through the coloured glass...It's going to feel like a sculpture of brilliance and light ." </Td> </Tr> <Tr> <Td> </Td> <Td> 6 July--14 October 2009 </Td> <Td> Antony Gormley </Td> <Td> One & Other </Td> <Td> Over the course of a hundred consecutive days, a total of 2,400 selected members of the public each spent one hour on the plinth . They were allowed to do anything they wished to and could take anything with them that they could carry unaided . Volunteers for the Fourth Plinth were invited to apply through the website www.oneandother.co.uk, and were chosen so that ethnic minorities and people from all parts of Britain were represented . For safety reasons, the plinth was surrounded by a net, and a team of six stewards were present 24 hours a day to make sure that, for instance, participants were not harmed by hecklers . There was a live feed of the plinth on the Internet sponsored by TV channel Sky Arts . Gormley said: "In the context of Trafalgar Square with its military, valedictory and male historical statues, this elevation of everyday life to the position formerly occupied by monumental art allows us to reflect on the diversity, vulnerability and particularity of the individual in contemporary society . It's about people coming together to do something extraordinary and unpredictable . It could be tragic but it could also be funny ." </Td> </Tr> <Tr> <Td> </Td> <Td> 24 May 2010--January 2012 </Td> <Td> Yinka Shonibare </Td> <Td> Nelson's Ship in a Bottle </Td> <Td> This work consists of a replica of Nelson's ship, HMS Victory, with sails made of printed fabric in a colourful African pattern inside a large glass bottle stopped with a cork; the bottle is 4.7 metres long and 2.8 metres in diameter . According to the Greater London Authority, the artwork is the first "to reflect specifically on the historical symbolism of Trafalgar Square, which commemorates the Battle of Trafalgar, and will link directly with Nelson's column . It is also the first commission by a black British artist ." The work proved popular, and its removal in early 2012 led to fears that it would be sold to a Korean collector . The Art Fund launched a public appeal to raise money to buy the work from the artist . By April 2012 the money was raised, including £ 264,300 donated from the public and £ 50,000 each from The Art Fund and Shonibare's gallery Stephen Friedman . The work was the first of the commissions to be relocated and is now part of the permanent collection of the National Maritime Museum in Greenwich, London . </Td> </Tr> <Tr> <Td> </Td> <Td> 23 February 2012--April 2013 </Td> <Td> Michael Elmgreen and Ingar Dragset </Td> <Td> Powerless Structures, Fig. 101 </Td> <Td> A 4.1 metres (13 ft) tall bronze sculpture of a boy on a rocking horse . Contrasting with the square's other statues which celebrate kings and military leaders, this commission was intended to portray "the heroism of growing up". The statue was unveiled by actress Joanna Lumley who called it a "completely unthreatening and adorable creature". The golden boy on a rocking horse, as a celebration of youth and hope, proved an apt image for the Olympic Games, featuring in television footage around the world and appearing in numerous feature films . After its display on the Fourth Plinth the sculpture was bought by the Annie og Otto Detlefs Fond and donated to the Arken Museum of Modern Art in Ishøj, Denmark, where it will go on view in late 2015 . Michael Elmgreen was born in Copenhagen, a short distance away from the museum; Ingar Dragset's home city of Trondheim in Norway had also expressed an interest in acquiring the work . Christian Gether, the museum's director, said "I was at the National Gallery for the inauguration of the sculpture and saw straight away that its irony and humanism fits perfectly at Arken . The sculpture comes with tradition and renewal and it is an ironic commentary on the obeisance of warlords . At the same time, it praises the child's spontaneity and its playful approach to life". </Td> </Tr> <Tr> <Td> </Td> <Td> 25 July 2013--17 February 2015 </Td> <Td> Katharina Fritsch </Td> <Td> Hahn / Cock </Td> <Td> A 4.72 metres (15.5 ft) high blue sculpture of a domestic cockerel or rooster . The artist has described the cockerel as symbolising "regeneration, awakening and strength". </Td> </Tr> <Tr> <Td> </Td> <Td> 5 March 2015--6 September 2016 </Td> <Td> Hans Haacke </Td> <Td> Gift Horse </Td> <Td> Depicts a skeletal, riderless horse . Haacke says the sculpture is a tribute to Scottish economist Adam Smith and English painter George Stubbs . The horse is based on an engraving by Stubbs taken from The Anatomy of the Horse published in 1766 . Tied to the horse's front leg is an electronic ribbon displaying live the ticker of the London Stock Exchange, completing the link between power, money and history . </Td> </Tr> <Tr> <Td> </Td> <Td> 29 September 2016--6 March 2018 </Td> <Td> David Shrigley </Td> <Td> Really Good </Td> <Td> A bronze sculpture of a human hand in a thumbs - up gesture, with the thumb greatly elongated . To the top of the thumb, the sculpture is 7 metres (23 ft) tall . </Td> </Tr> <Tr> <Td> </Td> <Td> 28 March 2018--Present </Td> <Td> Michael Rakowitz </Td> <Td> The Invisible Enemy Should Not Exist </Td> <Td> A recreation of a sculpture of a lamassu (a winged bull and protective deity) that stood at the entrance to Nergal Gate of Nineveh from 700 B.C. It was destroyed in 2015 by Isis, along with other artefacts in the Mosul Museum . Rakowitz's recreation is made of empty Iraqi date syrup cans, representing the destruction of the country's date industry . </Td> </Tr> <Tr> <Td> </Td> <Td> Planned for 2020 </Td> <Td> Heather Phillipson </Td> <Td> The End </Td> <Td> A dollop of whipped cream with an assortment of toppings: a cherry, a fly, and a drone . The drone will film passers - by and display them on an attached screen . </Td> </Tr> </Table> <Tr> <Th> Photo </Th> <Th> Dates </Th> <Th> Artist </Th> <Th> Title </Th> <Th> Description </Th> </Tr> <Tr> <Td> </Td> <Td> 15 September 2005--late 2007 </Td> <Td> Marc Quinn </Td> <Td> Alison Lapper Pregnant </Td> <Td> A 3.6 metres (12 ft), 13 - tonne Carrara marble torso - bust of Alison Lapper, an artist who was born with no arms and shortened legs due to a condition called phocomelia . It explores representations of beauty and the human form in public space, and was remade on an even more monumental scale for the closing ceremony of the London 2012 Summer Paralympic Games . </Td> </Tr> <Tr> <Td> </Td> <Td> 2007 </Td> <Td> Thomas Schütte </Td> <Td> Model for a Hotel 2007 (formerly Hotel for the Birds) </Td> <Td> (unveiled 7 November 2007)--a 5 - metre by 4.5 - metre by 5 - metre architectural model of a 21 - storey building made from coloured glass . Sandy Nairne, director of the National Portrait Gallery and then chairman of the Fourth Plinth Commissioning Group that recommended Quinn's and Schütte's proposals to the Mayor in 2004, said: "There will be something extraordinarily sensual about the play of light through the coloured glass...It's going to feel like a sculpture of brilliance and light ." </Td> </Tr>

Why is there an empty plinth in trafalgar square