<P> These terms have also been used inconsistently through time and in different geographical areas . One striking example is that Allegretto hastened as a tempo from the 18th to the 19th century: originally it was just above Andante, instead of just below Allegro as it is now . As another example, a modern largo is slower than an adagio, but in the Baroque period it was faster . </P> <P> From slowest to fastest: </P> <Ul> <Li> Larghissimo--very, very slow (24 bpm and under) </Li> <Li> Adagissimo--very slowly </Li> <Li> Grave--very slow (25--45 bpm) </Li> <Li> Largo--broadly (40--60 bpm) </Li> <Li> Lento--slowly (45--60 bpm) </Li> <Li> Larghetto--rather broadly (60--66 bpm) </Li> <Li> Adagio--slowly with great expression (66--76 bpm) </Li> <Li> Adagietto--slower than andante (72--76 bpm) or slightly faster than adagio (70--80 bpm) </Li> <Li> Andante--at a walking pace (76--108 bpm) </Li> <Li> Andantino--slightly faster than andante (although, in some cases, it can be taken to mean slightly slower than andante) (80--108 bpm) </Li> <Li> Marcia moderato--moderately, in the manner of a march (83--85 bpm) </Li> <Li> Andante moderato--between andante and moderato (thus the name) (92--112 bpm) </Li> <Li> Moderato--at a moderate speed (108--120 bpm) </Li> <Li> Allegretto--by the mid 19th century, moderately fast (112--120 bpm); see paragraph above for earlier usage </Li> <Li> Allegro moderato--close to, but not quite allegro (116--120 bpm) </Li> <Li> Allegro--fast, quickly, and bright (120--156 bpm) (molto allegro is slightly faster than allegro, but always in its range) </Li> <Li> Vivace--lively and fast (156--176 bpm) </Li> <Li> Vivacissimo--very fast and lively (172--176 bpm) </Li> <Li> Allegrissimo or Allegro vivace--very fast (172--176 bpm) </Li> <Li> Presto--very, very fast (168--200 bpm) </Li> <Li> Prestissimo--even faster than presto (200 bpm and over) </Li> </Ul> <Li> Larghissimo--very, very slow (24 bpm and under) </Li>

Which of the following is the slowest tempo indication adagio andante allegro vivace