<P> Under the character voice is the unreliable narrative voice, which involves the use of a dubious or untrustworthy narrator . This mode may be employed to give the audience a deliberate sense of disbelief in the story or a level of suspicion or mystery as to what information is meant to be true and what is to be false . This lack of reliability is often developed by the author to demonstrate that the narrator is in some state of psychosis . The narrator of Poe's "The Tell - Tale Heart," for example, is significantly biased, unknowledgeable, ignorant, childish, or is perhaps purposefully trying to deceive the audience . Unreliable narrators are usually first - person narrators; however, a third - person narrator may be unreliable . </P> <P> Examples include Nelly Dean in Wuthering Heights, "Chief" Bromden in One Flew Over the Cuckoo's Nest, Holden Caulfield in the novel The Catcher In The Rye, Dr. James Sheppard in The Murder of Roger Ackroyd, Stark in Only Forward, Humbert Humbert in the novel Lolita, Charles Kinbote in the novel Pale Fire and John Dowell in the novel The Good Soldier . </P> <P> A naive narrator is one who is so ignorant and inexperienced that they actually expose the faults and issues of their world . This is used particularly in satire, whereby the user can draw more inferences about the narrator's environment than the narrator . Child narrators can also fall under this category . </P> <P> The epistolary narrative voice uses a (usually fictional) series of letters and other documents to convey the plot of the story . Although epistolary works can be considered multiple - person narratives, they also can be classified separately, as they arguably have no narrator at all--just an author who has gathered the documents together in one place . One example is Mary Shelley's Frankenstein, which is a story written in a sequence of letters . Another is Bram Stoker's Dracula, which tells the story in a series of diary entries, letters and newspaper clippings . Les Liaisons dangereuses (Dangerous Liaisons), by Pierre Choderlos de Laclos, is again made up of the correspondence between the main characters, most notably the Marquise de Merteuil and the Vicomte de Valmont . Langston Hughes does the same thing in a shorter form in his story "Passing", which consists of a young man's letter to his mother . </P>

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