<P> A naive narrator is one who is so ignorant and inexperienced that they actually expose the faults and issues of their world . This is used particularly in satire, whereby the user can draw more inferences about the narrator's environment than the narrator . Child narrators can also fall under this category . </P> <P> The epistolary narrative voice uses a (usually fictional) series of letters and other documents to convey the plot of the story . Although epistolary works can be considered multiple - person narratives, they also can be classified separately, as they arguably have no narrator at all--just an author who has gathered the documents together in one place . One example is Mary Shelley's Frankenstein, which is a story written in a sequence of letters . Another is Bram Stoker's Dracula, which tells the story in a series of diary entries, letters and newspaper clippings . Les Liaisons dangereuses (Dangerous Liaisons), by Pierre Choderlos de Laclos, is again made up of the correspondence between the main characters, most notably the Marquise de Merteuil and the Vicomte de Valmont . Langston Hughes does the same thing in a shorter form in his story "Passing", which consists of a young man's letter to his mother . </P> <P> The third - person narrative voices are narrative - voice techniques employed solely under the category of the third - person view . </P> <P> The third - person subjective is when the narrator conveys the thoughts, feelings, opinions, etc. of one or more characters . If there is just one character, it can be termed third - person limited, in which the reader is "limited" to the thoughts of some particular character (often the protagonist) as in the first - person mode, except still giving personal descriptions using "he", "she", "it", and "they", but not "I". This is almost always the main character (e.g., Gabriel in Joyce's The Dead, Nathaniel Hawthorne's Young Goodman Brown, or Santiago in Hemingway's The Old Man and the Sea). Certain third - person omniscient modes are also classifiable as "third person, subjective" modes that switch between the thoughts, feelings, etc. of all the characters . </P>

What are all the different point of views