<P> The eventual resolution of Pip's pursuit of Estella at the end of the story varies among film adaptations and even in the novel itself . Dickens' original ending is deemed by many as consistent with the thread of the novel and with Estella's allegorical position as the human manifestation of Pip's longings for social status: </P> <P> I was in England again--in London, and walking along Piccadilly with little Pip--when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me . It was a little pony carriage, which the lady was driving; and the lady and I looked sadly enough on one another . </P> <P> "I am greatly changed, I know; but I thought you would like to shake hands with Estella, too, Pip . Lift up that pretty child and let me kiss it!" (She supposed the child, I think, to be my child .) I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham's teaching, and had given her a heart to understand what my heart used to be . </P> <P> As this ending was much criticized even by some famous fellow authors, Dickens wrote a second ending currently considered as the definitive one, more hopeful but also more ambiguous than the original, in which Pip and Estella have a spiritual and emotional reconciliation . The second ending echoes strongly the theme of closure found in much of the novel; Pip and Estella's relationship at the end is marked by some sadness and some joy, and although Estella still indicates that she doesn't believe she and Pip will be together, Pip perceives that she will stay with him: </P>

Describe the love story of pip and estella