<Table> <Tr> <Td> </Td> <Td> This article needs additional citations for verification . Please help improve this article by adding citations to reliable sources . Unsourced material may be challenged and removed . (March 2013) (Learn how and when to remove this template message) </Td> </Tr> </Table> <Tr> <Td> </Td> <Td> This article needs additional citations for verification . Please help improve this article by adding citations to reliable sources . Unsourced material may be challenged and removed . (March 2013) (Learn how and when to remove this template message) </Td> </Tr> <P> Fête galante (French pronunciation: ​ (fɛːt ɡalɑ̃t)) (courtship party) is a term referring to a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684--1721) variations on the theme of the fête champêtre which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings . When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application . </P> <P> Watteau specifically created the fête galante painting style as a compromise between two drives . On the one hand, most of his funding came from private individuals, rather than from the government . On the other hand, Watteau wanted recognition from the government - appointed Académie des Beaux - Arts . The Académie ranked scenes of everyday life and portraits, the paintings most desired by private patrons, as lower than morally educational paintings illustrating history and mythology . By portraying his patrons in scenes reminiscent of the mythologized land of Arcadia, where humans had supposedly lived in leisurely harmony with nature, Watteau was able to get his paintings the highest ranking at the Académie and still flatter his buyers . </P>

The fête galante is most associated with which artist