<P> Outside of his work with the new Basie band, Hefti also led a big band of his own during the fifties . In 1951, one of these bands featured his wife Frances on vocals . They recorded and toured off and on with this and other incarnations of this band throughout the 1950s . Although his own band did not attain the same level of success as the famous bands he arranged for, he did receive a Grammy nomination for his own album Jazz Pops (1962), which included recordings of "Li'l Darlin," "Cute," and "Coral Reef". It was his last work in the Jazz idiom . </P> <P> Later in the 1950s he finally abandoned trumpet playing altogether to concentrate on scoring and conducting . He had steady work conducting big bands, backing singers in the studio during recording sessions, and appearing on the television shows of Arthur Godfrey, Kate Smith, and others . </P> <P> He moved back to his beloved California in the early 1960s . During this time he began working for the Hollywood film industry, and he enjoyed tremendous popular success writing music for film and television . He wrote much background and theme music for motion pictures, including the films Sex and the Single Girl, How to Murder Your Wife (1965), Synanon, Boeing Boeing (1965), Lord Love a Duck (1966), Duel at Diablo (1966), Barefoot in the Park (1967), The Odd Couple (1968), and Harlow (1965), for which he received two Grammy nominations for the song "Girl Talk". While most of his compositions during this period were geared to the demands of the medium and the directors, there were many moments when he was able to infuse his work with echoes of his jazz heritage . </P> <P> In 1961 Hefti joined with Frank Sinatra on his Sinatra and Swingin' Brass album where Hefti was credited as arranger and conductor of the album's 12 cuts . </P>

Who wrote the theme song for the odd couple
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