<P> At the 1965 Academy Awards, Norman Wanstall won the Academy Award for Best Sound Effects Editing for his work, making Goldfinger the first Bond film to receive an Academy Award . John Barry was nominated for the Grammy Award for Best Score for a Motion Picture, and Ken Adam was nominated for the British Academy of Film and Television Arts (BAFTA) for Best British Art Direction (Colour), where he also won the award for Best British Art Direction (Black and White) for Dr. Strangelove . The American Film Institute has honoured the film four times: ranking it No. 90 for best movie quote ("A martini . Shaken, not stirred"), No. 53 for best song ("Goldfinger"), No. 49 for best villain (Auric Goldfinger), and No. 71 for most thrilling film . In 2006, Entertainment Weekly and IGN both named Goldfinger as the best Bond film, while MSN named it as the second best, behind its predecessor . IGN and EW also named Pussy Galore as the second best Bond girl . In 2008, Total Film named Goldfinger as the best film in the series . The Times placed Goldfinger and Oddjob second and third on their list of the best Bond villains in 2008 . They also named the Aston Martin DB5 as the best car in the films . </P> <P> Goldfinger's script became a template for subsequent Bond films . It was the first of the series showing Bond relying heavily on technology, as well as the first to show a pre-credits sequence with only a tangential link to the main story--in this case allowing Bond to get to Miami after a mission . Also introduced for the first of many appearances is the briefing in Q - branch, allowing the viewer to see the gadgets in development . The subsequent films in the Bond series follow most of Goldfinger's basic structure, featuring a henchman with a particular characteristic, a Bond girl who is killed by the villain, big emphasis on the gadgets and a more tongue - in - cheek approach, though trying to balance action and comedy . </P> <Table> <Tr> <Td> "</Td> <Td> Goldfinger represents the peak of the series . It is the most perfectly realised of all the films with hardly a wrong step made throughout its length . It moves at a fast and furious pace, but the plot holds together logically enough (more logically than the book) and is a perfect blend of the real and the fantastic . </Td> <Td>" </Td> </Tr> <Tr> <Td_colspan="3">--John Brosnan in James Bond in the Cinema, cited in </Td> </Tr> </Table> <Tr> <Td> "</Td> <Td> Goldfinger represents the peak of the series . It is the most perfectly realised of all the films with hardly a wrong step made throughout its length . It moves at a fast and furious pace, but the plot holds together logically enough (more logically than the book) and is a perfect blend of the real and the fantastic . </Td> <Td>" </Td> </Tr>

True of false from russia with love was the first james bond film