<P> The poem is written in iambic tetrameter and rhymes in couplets . The first verse stanza ("Had we ...") is ten couplets long, the second ("But ...") six, and the third ("Now therefore ...") seven . The logical form of the poem runs: if...but...therefore...</P> <P> Until recently, "To His Coy Mistress" had been received by many as a poem that follows the traditional conventions of carpe diem love poetry . Some modern critics, however, argue Marvell's use of complex and ambiguous metaphors challenges the perceived notions of the poem . It as well raises suspicion of irony and deludes the reader with its inappropriate and jarring imagery . </P> <P> Some critics believe the poem is an ironic statement on sexual seduction . They reject the idea that Marvell's poem carries a serious and solemn mood . Rather, the poem's opening lines--"Had we but world enough, and time / This coyness, Lady, were no crime"--seems to suggest quite a whimsical tone of regret . In the second part of the poem, there is a sudden transition into imagery that involves graves, marble vaults and worms . The narrator's use of such metaphors to depict a realistic and harsh death that awaits the lovers seems to be a way of shocking the lady into submission . As well, critics note the sense of urgency of the narrator in the poem's third section, especially the alarming comparison of the lovers to "amorous birds of prey". </P> <P> At least two poets have taken up the challenge of responding to Marvell's poem in the character of the lady so addressed . Annie Finch's "Coy Mistress" suggests that poetry is a more fitting use of their time than lovemaking, while A.D. Hope's "His Coy Mistress to Mr. Marvell" turns down the offered seduction outright . </P>

The graves a fine and private place but none i think do there embrace