<P> Austen drew inspiration for Sense and Sensibility from other novels of the 1790s that treated similar themes, including Adam Stevenson's "Life and Love" (1785) which he had written about himself and a relationship that was not meant to be . Jane West's A Gossip's Story (1796), which features one sister full of rational sense and another sister of romantic, emotive sensibility, is considered to have been an inspiration as well . West's romantic sister - heroine also shares her first name, Marianne, with Austen's . There are further textual similarities, described in a modern edition of West's novel . </P> <P> "Sense" means good judgment, wisdom, or prudence, and "sensibility" means sensitivity, sympathy, or emotionality . Elinor is described as a character with great "sense" (although Marianne, too, is described as having sense), and Marianne is identified as having a great deal of "sensibility" (although Elinor, too, feels deeply, without expressing it as openly). By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters . </P> <P> Sense and Sensibility, much like Austen's other fiction, has attracted a large body of criticism from many different critical approaches . Early reviews of Sense and Sensibility focused on the novel as providing lessons in conduct (which would be debated by many later critics) as well as reviewing the characters . The Norton Critical Edition of Sense and Sensibility, edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material . An "Unsigned Review" in the February 1812 Critical Review praises Sense and Sensibility as well written with well supported and drawn characters, realistic, and with a "highly pleasing" plot in which "the whole is just long enough to interest the reader without fatiguing ." This review praises Mrs. Dashwood, the mother of the Dashwood sisters, as well as Elinor, and claims that Marianne's extreme sensibility makes her miserable . It claims that Sense and Sensibility has a lesson and moral which is made clear through the plot and the characters . Another "Unsigned Review" from the May 1812 British Critic further emphasizes the novel's function as a type of conduct book . In this author's opinion, Austen's favoring of Elinor's temperament over Marianne's provides the lesson . The review claims that "the object of the work is to represent the effects on the conduct of life, of discreet quiet good sense on the one hand, and an overrefined and excessive susceptibility on the other ." The review states that Sense and Sensibility contains "many sober and salutary maxims for the conduct of life" within a "very pleasing and entertaining narrative ." W.F. Pollock's 1861 review from Frasier's Magazine, titled "British Novelists," becomes what editor Claudia Johnson terms an "early example of what would become the customary view of Sense and Sensibility ." In addition to emphasizing the novel's morality, Pollock reviews the characters in catalogue - like fashion, praising and criticizing them in according to the notion that Austen favors Elinor's point of view and temperament . Pollock even praises Sir John Middleton and Mrs. Jennings, even commenting on the humor of Mr. Palmer and his "silly wife ." Pollock criticizes Sir John Dashwood's selfishness without mentioning Fanny's influence upon them . He also criticizes the Steele sisters for their vulgarity . </P> <P> An anonymous piece titled "Miss Austen" published in 1866 in The Englishwoman's Domestic Magazine departs from other early criticism in its sympathizing with Marianne over Elinor, claiming that Elinor is "too good" of a character . The article also differs from other reviews in that it claims that the "prevailing merit" of the book is not in its sketch of the two sisters; rather, the book is effective because of its "excellent treatment of the subordinate characters ." Alice Meynell's 1894 article "The Classic Novelist" in the Pall Mall Gazette also concurs with Austen's attention to small things . Meynell claims that Austen deals in lesser characters and small matters because "that which makes life, art, and work trivial is a triviality of relations ." In her attention to secondary characters, Meynell discusses the children's function to "illustrate the folly of their mothers," especially Lady Middleton . </P>

Who ends up with who in sense and sensibility