<Ul> <Li> Giraudoux's name is graffitied on a Parisian wall in François Truffaut's 1959 film The 400 Blows as a reference to the writer . </Li> <Li> Famous quotes by Giraudoux include "Only the mediocre are always at their best". Another quote often misattributed to Giraudoux is, "The secret of success is sincerity . Once you can fake that you've got it made ." A version of the saying was ascribed to Giraudoux in Murphy's Law Book Two by Arthur Bloch published in 1980 . But actor George Burns also put it in his own 1980 memoir . The joke has been traced to a 1962 newspaper column by Leonard Lyons, in which actress Celeste Holm quotes an unnamed actor saying, "Honesty . That's the thing in the theater today . Honesty...and just as soon as I can learn to fake that, I'll have it made ." </Li> </Ul> <Li> Giraudoux's name is graffitied on a Parisian wall in François Truffaut's 1959 film The 400 Blows as a reference to the writer . </Li> <Li> Famous quotes by Giraudoux include "Only the mediocre are always at their best". Another quote often misattributed to Giraudoux is, "The secret of success is sincerity . Once you can fake that you've got it made ." A version of the saying was ascribed to Giraudoux in Murphy's Law Book Two by Arthur Bloch published in 1980 . But actor George Burns also put it in his own 1980 memoir . The joke has been traced to a 1962 newspaper column by Leonard Lyons, in which actress Celeste Holm quotes an unnamed actor saying, "Honesty . That's the thing in the theater today . Honesty...and just as soon as I can learn to fake that, I'll have it made ." </Li> <Table> <Tr> <Td> <H3> Theatrical productions (edit) </H3> <Ul> <Li> Siegfried (1928, premiere at the Comédie des Champs - Élysées) </Li> <Li> Amphitryon 38 (1929 premiere, Comédie des Champs - Élysées) </Li> <Li> Judith (1931, Théâtre Pigalle) </Li> <Li> The Enchanted (1933, Comédie des Champs - Élysées) </Li> <Li> Tessa (1934, Théâtre de l'Athénée) </Li> <Li> Supplément au voyage de Cook (1935, Théâtre de l'Athénée) </Li> <Li> The Trojan War Will Not Take Place (1935, Théâtre de l'Athénée) </Li> <Li> Electra (1937, Théâtre de l'Athénée) </Li> <Li> L'Impromptu de Paris (1937, Théâtre de l'Athénée) </Li> <Li> Song of Songs (1938, Comédie - Française) </Li> <Li> Ondine (1939, Théâtre de l'Athénée) </Li> <Li> The Apollo of Bellac (1942, Teatro Municipal (Rio de Janeiro)) </Li> <Li> Sodom and Gomorrah (1943, Théâtre Hébertot) </Li> <Li> The Madwoman of Chaillot (1945, Théâtre de l'Athénée) </Li> <Li> Duel of Angels (Pour Lucrèce) (1953, Théâtre Marigny) </Li> <Li> Les Gracques (unfinished; published 1958) </Li> </Ul> <H3> Films (edit) </H3> <Ul> <Li> The Duchess of Langeais (1942), adaptation and dialogue </Li> <Li> Angels of the Streets (1943), screenplay </Li> </Ul> </Td> <Td> <H3> Publications (edit) </H3> <Ul> <Li> Provinciales (1909) </Li> <Li> L'École des indifférents (1911) </Li> <Li> Lectures pour une ombre (1917) </Li> <Li> Simon le Pathétique (1918) </Li> <Li> L'Adieu à la guerre (1919) Grasset </Li> <Li> Elpénor (1919) </Li> <Li> Amica America (1919) </Li> <Li> Adorable Clio (1920) </Li> <Li> Suzanne et le Pacifique (1921) </Li> <Li> Siegfried et le Limousin (1922) </Li> <Li> Juliette au pays des hommes (1924) </Li> <Li> Bella (1926) </Li> <Li> Églantine (1927) </Li> <Li> Aventures de Jérôme Bardini (1930) </Li> <Li> La France sentimentale (1932) </Li> <Li> Combat avec l'ange (1934) </Li> <Li> Choix des élues (1939) </Li> <Li> Pleins pouvoirs (1939) </Li> <Li> Armistice à Bordeaux (1945) </Li> <Li> Sans pouvoirs (1946) </Li> <Li> La Menteuse (1958) </Li> </Ul> </Td> </Tr> </Table>

Who said if you can fake sincerity you've got it made
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