<P> In the mid-1960s, Warhol adopted the band the Velvet Underground, making them a crucial element of the Exploding Plastic Inevitable multimedia performance art show . Warhol, with Paul Morrissey, acted as the band's manager, introducing them to Nico (who would perform with the band at Warhol's request). In 1966 he "produced" their first album The Velvet Underground & Nico, as well as providing its album art . His actual participation in the album's production amounted to simply paying for the studio time . After the band's first album, Warhol and band leader Lou Reed started to disagree more about the direction the band should take, and their artistic friendship ended . In 1989, after Warhol's death, Reed and John Cale re-united for the first time since 1972 to write, perform, record and release the concept album Songs for Drella, a tribute to Warhol . </P> <P> Warhol designed many album covers for various artists starting with the photographic cover of John Wallowitch's debut album, This Is John Wallowitch!!! (1964). He designed the cover art for The Rolling Stones' albums Sticky Fingers (1971) and Love You Live (1977), and the John Cale albums The Academy in Peril (1972) and Honi Soit in 1981 . One of Warhol's last works was a portrait of Aretha Franklin for the cover of her 1986 gold album Aretha, which was done in the style of the Reigning Queens series he had completed the year before . </P> <P> Warhol strongly influenced the new wave / punk rock band Devo, as well as David Bowie . Bowie recorded a song called "Andy Warhol" for his 1971 album Hunky Dory. Lou Reed wrote the song "Andy's Chest", about Valerie Solanas, the woman who shot Warhol, in 1968 . He recorded it with the Velvet Underground, and this version was released on the VU album in 1985 . Bowie would later play Warhol in the 1996 movie, Basquiat . Bowie recalled how meeting Warhol in real life helped him in the role, and recounted his early meetings with him: </P> <P> I met him a couple of times, but we seldom shared more than platitudes . The first time we saw each other an awkward silence fell till he remarked my bright yellow shoes and started talking enthusiastically . He wanted to be very superficial . And seemingly emotionless, indifferent, just like a dead fish . Lou Reed described him most profoundly when he once told me they should bring a doll of Andy on the market: a doll that you wind up and doesn't do anything . But I managed to observe him well, and that was a helping hand for the film (Basquiat)....We borrowed his clothes from the museum in Pittsburgh, and they were intact, unwashed . Even the pockets weren't emptied: they contained pancake, white, deadly pale fond de teint which Andy always smeared on his face, a check torn in pieces, someone's address, lots of homeopathic pills and a wig . Andy always wore those silver wigs, but he never admitted it were wigs . One of his hairdressers has told me lately that he had his wigs regularly cut, like it were real hair . When the wig was trimmed, he put on another next month as if his hair had grown . </P>

Andy warhol was influential to the development of this band