<P> The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks, starring Jan Clayton and Zachary Scott, directed by John Fearnley, with Robbins' choreography recreated by June Graham . Muriel Smith reprised her London role of Lady Thiang, and Patrick Adiarte repeated his film role, Chulalongkorn . This company presented the musical again in May 1960 with Barbara Cook and Farley Granger, again directed by Fearnley, in another three - week engagement . Atkinson admired the purity of Cook's voice and thought that she portrayed Anna with "a cool dignity that gives a little more stature to the part than it has had before ." He noted that Granger brought "a fresh point of view--as well as a full head of hair". Joy Clements played Tuptim, and Anita Darian was Lady Thiang . City Center again presented the show in June 1963, starring Eileen Brennan and Manolo Fabregas, directed by Fearnley . Clements and Darian reprised Tuptim and Thiang . In the final City Center Light Opera production, Michael Kermoyan played the King opposite Constance Towers for three weeks in May 1968 . Darian again played Lady Thiang . For all of these 1960s productions, Robbins' choreography was reproduced by Yuriko, who had played the role of Eliza in the original Broadway production and reprised the role in the City Center productions . </P> <P> The Music Theatre of Lincoln Center, with Rodgers as producer, presented the musical in mid-1964 at the New York State Theater, starring Risë Stevens and Darren McGavin, with Michael Kermoyan as the Kralahome . Lun Tha, Tuptim and Thiang were played by Frank Porretta, Lee Venora and Patricia Neway . Costumes were by Irene Sharaff, the designer for the original productions and the film adaptation . The director was Edward Greenberg, with the Robbins choreography again reproduced by Yuriko . This was Music Theatre's debut production, a five - week limited engagement . </P> <P> The King and I was revived at London's Adelphi Theatre on October 10, 1973, running for 260 performances until May 25, 1974, starring Sally Ann Howes as Anna and Peter Wyngarde as the King . Roger Redfarn directed, and Sheila O'Neill choreographed . The production, which began in June 1973 with a tour of the English provinces, earned mixed to warm reviews . Michael Billington in The Guardian called the revival "well played and well sung". Although he was enthusiastic about Howes as Anna, Billington thought Wyngarde "too fragile to be capable of inspiring unholy terror". He praised Redfarn's production--"whipped along at a good pace and made a sumptuous eyeful out of the interpolated ballet on' Uncle Tom's Cabin' ." Less favorably, Robert Cushman in The Observer thought the production "scenically and economically under - nourished". He liked Wyngarde's King ("a dignified clown") but thought Howes not formidable enough to stand up to him as Anna . He noted that "she sings beautifully and the songs are the evening's real justification". </P> <P> In early 1976, Brynner received an offer from impresarios Lee Gruber and Shelly Gross to star, in the role that he had created 25 years before, in a U.S. national tour and Broadway revival . The tour opened in Los Angeles on July 26, 1976, with Constance Towers reprising the role of Anna . On opening night, Brynner suffered so badly from laryngitis that he lip - synched, with his son Rock singing and speaking the role from the orchestra pit . The production traveled across the United States, selling out every city it appeared in and finally opening in New York at the Uris Theatre (today the Gershwin Theatre) on May 2, 1977 . The production featured Martin Vidnovic as Lun Tha, and Susan Kikuchi danced the part of Eliza, recreating the role that her mother, Yuriko, had originated . Yuriko both directed the production and recreated the Robbins choreography . Sharaff again designed costumes, and Michael Kermoyan reprised the role of the Kralahome, while June Angela was Tuptim . The run lasted 696 performances, almost two years, during which each of the stars took off three weeks, with Angela Lansbury replacing Towers and Kermoyan replacing Brynner . The production was nominated for the Drama Desk Award for Outstanding Musical . </P>

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