<P> Malayalam cinema of Kerala experienced its own' Golden Age' in the 1980s and early 1990s . Some of the most acclaimed Indian filmmakers at the time were from the Malayalam industry, including Adoor Gopalakrishnan, G. Aravindan, T.V. Chandran and Shaji N. Karun . Adoor Gopalakrishnan, who is often considered to be Satyajit Ray's spiritual heir, directed some of his most acclaimed films during this period, including Elippathayam (1981) which won the Sutherland Trophy at the London Film Festival, as well as Mathilukal (1989) which won major prizes at the Venice Film Festival . </P> <P> Shaji N. Karun's debut film Piravi (1989) won the Camera d'Or at the 1989 Cannes Film Festival, while his second film Swaham (1994) was in competition for the Palme d'Or at the 1994 Cannes Film Festival . Commercial Malayalam cinema also began gaining popularity with the action films of Jayan, a popular stunt actor whose success was short - lived when he died while filming a dangerous helicopter stunt . </P> <P> Commercial Hindi cinema further grew throughout the 1980s and the 1990s with the release of films such as Ek Duuje Ke Liye (1981), Mr India (1987), Qayamat Se Qayamat Tak (1988), Tezaab (1988), Chandni (1989), Maine Pyar Kiya (1989), Baazigar (1993), Darr (1993), Hum Aapke Hain Koun ...! (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997), Pyar Kiya Toh Darna Kya (1998) and Kuch Kuch Hota Hai (1998), many of which starred Anil Kapoor, Salman Khan, Sridevi, Aamir Khan, Shah Rukh Khan, Madhuri Dixit and Kajol . At this juncture, Shekhar Kapur's cult classic, Bandit Queen (1994) which received international recognition, has also garnered high criticism by Arundhati Roy in her film review entitled "The Great Indian Rape - Trick". However, the film highlighted the revival of feminist themes . </P> <P> In the late 1990s,' Parallel Cinema' began experiencing a resurgence in Hindi cinema, largely due to the critical and commercial success of Satya (1998), a crime film based on the Bombay underworld, written and directed by Ram Gopal Varma, with screenplay by Anurag Kashyap . The film's success led to the emergence of a distinct genre known as Mumbai noir, urban films reflecting social problems in Bombay city . Later films made on organised crime in Bombay include Madhur Bhandarkar's Chandni Bar (2001) and Traffic Signal (2007), Ram Gopal Varma's Company (2002) and its sequel D (2005), as well as Anurag Kashyap's Black Friday (2004). </P>

Who is the only actor in indian cinema to give 5 mega hits in a year 1982 including tamil and hindi