<P> South Korean films enjoyed a "Golden age" during the late 1950s, and 1960s, but by the 1970s had become generally considered to be of low quality . Nonetheless, by 2005 South Korea had become one of few nations to watch more domestic than imported films in theatres due largely to laws placing limits on the number of foreign films able to be shown per theatre per year . In the theaters, Korean films must be played for 73 days per year since 2006 . On cable TV 25% domestic film quota will be reduced to 20% after KOR - US FTA . The cinema of South Korea had a total box office gross in the country in 2015 of ₩ 884 billion and had 113,000,000 admissions, 52% of the total admissions . </P> <P> Hong Kong is a filmmaking hub for the Chinese - speaking world (including the worldwide diaspora) and East Asia in general . For decades it was the third largest motion picture industry in the world (after Bollywood and Hollywood) and the second largest exporter of films . Despite an industry crisis starting in the mid-1990s and Hong Kong's return to Chinese sovereignty in July 1997 Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage . Unlike many film industries, Hong Kong has enjoyed little to no direct government support, through either subsidies or import quotas . It has always been a thoroughly commercial cinema, concentrating on crowd - pleasing genres, like comedy and action, and heavily reliant on formulas, sequels and remakes . Typically of commercial cinemas, its heart is a highly developed star system, which in this case also features substantial overlap with the pop music industry . </P> <P> The Yeşilçam film industry is firmly established as the second largest European theatrical growth market and the 7th largest theatrical market in terms of admissions, only superseded by the' big 5' EU markets and the Russian Federation . The Turkish film market also stands out in the pan-European landscape as the only market where national films regularly outperform US films . It had 1.2 million number of admissions in film industry and 87 feature films were released in the year 2013 . Because of the exceptional box office success of Turkish films on the domestic market, the estimated 12.9 million admissions generated on non-national European markets only account for 7% of total admissions to Turkish films in Europe (including Turkey) between 2004 and 2013 . This is the third lowest share among the 30 European markets for which such data are available and clearly illustrates the strong dependence of Turkish films on the domestic market, a feature which is shared by Polish and Russian films . </P> <P> Over the past ten years an increasing number of Turkish films and filmmakers have been selected for international film festivals and received a large number of awards, like Kış Uykusu (Winter's Sleep) won Cannes Film Festival Award for Best Film in 2014 . In terms of box office Turkey still ranks behind the Netherlands with just over EUR 200 million as Europe's eight largest box office market ahead of Sweden and Switzerland with a clear gap to the top 6 markets all of which registered GBO between EUR 504 million (Spain) up to over EUR 1 billion in France, the UK, Germany and the Russian Federation . Cinema going is comparatively cheap in Turkey . In 2013 a cinema ticket cost on average EUR 4.0 in Turkey, and this is estimated to be the lowest average ticket price - measured in Euro - in Europe, marginally cheaper than in several Central and Eastern European markets like Croatia, Romania, Lithuania or Bulgaria . When comparing ticket prices in Euro, one of course has to take into consideration that these comparisons are significantly affected by fluctuations in the exchange rates of the various currencies . Because of devaluation of the Turkish Lira against the Euro, average ticket prices measured in Euro remained fairly stable over the past 10 years . </P>

Who made the most movies in a year